Max Neuhaus

long - term view

<p>Max Neuhaus, <i>drawing for Time Piece Beacon</i>, 2005. © 2005 Max Neuhaus. <br> Photo: Cathy Carver.</p>

Max Neuhaus, drawing for Time Piece Beacon, 2005. © 2005 Max Neuhaus.
Photo: Cathy Carver.

 
 
 

Time Piece Beacon marks the hour with the cessation of a sound, creating a moment of stillness.

 

Artist Biography

Max Neuhaus was born in 1939 in Texas, and spent his childhood in Fishkill, New York. He began his studies in music at the Manhattan School of Music under Paul Prince’s mentorship. In 1958, he met John Cage, and this encounter determined his decision to become a professional percussionist. After a solo tour in Europe in 1965, Neuhaus started developing projects that went beyond the strictly musical realm; among them were site-specific pieces that he was the first to call “sound installations.” In 1968, as he started a research residency at the Bell Laboratories, Neuhaus ceased performing as a musician and fully devoted himself to sound art. Since then, his work has been exhibited internationally in museums and galleries, including solo shows at the Museum of Modern Art, New York (1978); Musée d’art moderne de la ville de Paris (1983); and the Kunsthalle Bern (1989). He was also included in Documentas 6 (1977) and 9 (1992), Kassel, Germany; the Whitney Biennial, New York (1983); and the Venice Biennale (1999). In 2008, an exhibition of Neuhaus’s drawings was organized by the Menil Collection, Houston, which coincided with the inauguration of a new installation, Sound Line. Neuhaus passed away in February 2009 in Italy.

 
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