European Couples, and Others featured a series of fluorescent light sculptures from Dia's permanent collection by Dan Flavin. The core of the exhibition were corner pieces, which had not been previously exhibited. These eight works were executed between 1966-71, and consist of multiple colors including pink, yellow, and blue as well as daylight, cool, and warm shades of white.

Bibliography

Flavin, Dan. "'...in daylight or cool white': an autobiographical sketch," Artforum 4, no. 4 (December 1965), pp. 21-24.

corners, barriers and corridors in fluorescent light from Dan Flavin. Saint Louis: The Saint Louis Art Museum, 1973. Texts by Dan Flavin and Emily S. Rauh.

Dan Flavin. Installationen in fluoreszierendem Licht 1989-1993. Frankfurt am Main: Städtische Galerie im Städel, 1993. Texts by Beatrice von Bismarck, Dan Flavin, and Klaus Gallwitz.

Dan Flavin. Munich: Kunstbau Lenbachhaus, 1994. Texts by Dan Flavin, Helmut Friedel, Uwe Kiessler, Christian Ude, and Ulrich Wilmes.

Dan Flavin: drawings, diagrams and prints 1972-1975, and installations in fluorescent light 1972-1975. Fort Worth: The Fort Worth Art Museum, 1976. Texts by Jay Belloli, Dan Flavin, and Emily S. Rauh.

Dan Flavin: fluorescent light etc. Ottawa: National Gallery of Canada for the Queen's Printer, 1969. Texts by Mel Bochner, Dan Flavin, Donald Judd, and Brydon Smith.

Dan Flavin: three installations in flourescent light. Cologne: Wallraf-Richartz-Museum and the Kunsthalle Köln, 1973-74. Texts by Dan Flavin and Manfred Schneckenburger.

"monuments" for V. Tatlin from Dan Flavin, 1964-1982. Chicago: Donald Young Gallery for The Museum of Contemporary Art, Los Angeles, in collaboration with Leo Castelli Gallery, New York, 1989. Text by Dan Flavin.

Zeichnungen, Diagramme, Druckgraphik 1972-1975 und zwei Installationen in fluoreszierendem Licht von Dan Flavin; Fünf Installationen in fluoreszierendem Licht von Dan Flavin. Basel: Kunstmuseum Basel and Kunsthalle Basel, 1975. Texts by Carlo Huber, Donald Judd, and Franz Meyer.