Collection

An industrial space is bathed in blue, pink, and purple light with skylights overhead. Five people stand, sit, or lay on small rectangular pillows on the floor. There are three minimal sculptures on the walls and a colorful abstract projection on the back wall.

La Monte Young  Marian Zazeela  Jung Hee Choi

Dia 15 VI 13 545 West 22 Street Dream House, 2015

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A close-up of a desert diorama with sand, shrubs, and two books placed underneath the shrubs.

Dominique Gonzalez-Foerster

chronotypes & dioramas, 2009

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The facade of a brick building and a grass lawn.

Max Neuhaus

Time Piece Beacon, 2005

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A woman wearing a blue dress stands in front of a screen with projected images of a large cat and red-and-blue shapes.

Joan Jonas

The Shape, the Scent, the Feel of Things, 2004

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White wall with a central gray shape composed of several geometric shapes in slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411E: Isometric figure with progressively darker gradations of gray ink wash on each plane, 2003

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Large industrial space under green light with projection screens serving as walls, displaying images of a small room containing various debris including furniture.

Bruce Nauman

Mapping the Studio I (Fat Chance John Cage), 2001

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Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991

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Three gallery walls along a corridor feature white text outlined in black. The nearest text reads:

Lawrence Weiner

5 Figures of Structure, 1987

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White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

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White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411D: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

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Placeholder

Joseph Beuys

Sandzeichnungen (Sand drawings), 1978

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Whitman, Spyglass (Film Images, 1960-1976), 1976-2003

Robert Whitman

Spyglass (Film Images, 1960-1976), 1976–2003

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Jonas, installation view

Joan Jonas

After Mirage (Cones/May Windows), 1976

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HOL_Holes of Light_Dia:Chelsea

Nancy Holt

Holes of Light, 1973

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Trees blooming with cherry blossoms in front of a brick building with a large multipaned window.

Louise Lawler

Birdcalls, 1972/1981

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A doorway frames a column and two walls intersecting at a narrow angle, all bathed in yellow fluorescent light.

Bruce Nauman

Left or Standing, Standing or Left Standing, 1971

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Joan_Jonas-Shot-19_3386-Pano

Joan Jonas

Stage Sets, 1970/2018

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Sonnier, Ba-O-Ba VI (Secondary Triad), 1970

Keith Sonnier

Ba-O-Ba VI (Secondary Triad), 1970

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The words

Walter De Maria

Hard Core, 1969

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Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads,

Lawrence Weiner

Statement of Intent, 1969

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