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Collection

KNO_250.000 Zeichnungen (250,000 Drawings), 1968–75

Imi Knoebel

250.000 Zeichnungen (250,000 Drawings), 1968–75

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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

6 Gray Mirrors, 2003

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Trees blooming with cherry blossoms in front of a brick building with a large multipaned window.

Louise Lawler

Birdcalls, 1972/1981

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Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991

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Large bronze spider sits on cement floor in front of two brick walls with windows.

Louise Bourgeois

Crouching Spider, 2003

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A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor.

John Chamberlain

Daddy in the Dark, 1988

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Gilliam, Double Merge, 1968

Sam Gilliam

Double Merge, 1968

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A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object.

Dorothea Rockburne

Intersection, 1971/2018

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A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls.

Anne Truitt

Landfall, 1970

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A pile of teal glass on a concrete floor.

Robert Smithson

Map of Broken Glass (Atlantis), 1969

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A black canvas with centered white sans-serif type that reads

On Kawara

MAR. 24, 1974, 1974

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A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room.

Michael Heizer

North, East, South, West, 1967/2002

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Raum 19, 1968

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STU_Sayreville Strata Quartet 1976

Michelle Stuart

Sayreville Strata Quartet, 1976

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Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue.

Andy Warhol

Shadows, 1978–79

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Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads,

Lawrence Weiner

Statement of Intent, 1969

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Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky.

Nancy Holt

Sun Tunnels, 1973–76

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MER_Teatro cavallo

Mario Merz

Teatro cavallo (Horse Theater), 1967

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A square canvas coated in thick, textured white paint features a small black bar with the phrase

Robert Ryman

The Paradoxical Absolute, 1958

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A woman wearing a blue dress stands in front of a screen with projected images of a large cat and red-and-blue shapes.

Joan Jonas

The Shape, the Scent, the Feel of Things, 2004

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