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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows. — Gerhard Richter

6 Gray Mirrors, 2003

Trees blooming with cherry blossoms in front of a brick building with a large multipaned window. — Louise Lawler

Birdcalls, 1972/1981

Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch — Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991

Large bronze spider sits on cement floor in front of two brick walls with windows. — Louise Bourgeois

Crouching Spider, 2003

A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor. — John Chamberlain

Daddy in the Dark, 1988

An industrial space is bathed in blue, pink, and purple light with skylights overhead. Five people stand, sit, or lay on small rectangular pillows on the floor. There are three minimal sculptures on the walls and a colorful abstract projection on the back wall. — La Monte Young Marian Zazeela Jung Hee Choi

Dia 15 VI 13 545 West 22 Street Dream House, 2015

A wooden panel and beam push against each other to form an upright triangle that is held in place by heavy stones on a concrete floor. The sculpture sits in front of a brick wall. — Kishio Suga

Diagonal Phase, 1969/2012

Gilliam, Double Merge, 1968 — Sam Gilliam

Double Merge, 1968

Wrapped in colored gels, fluorescent bulbs in sets of two are vertically placed on translucent scrims in the corner of a room with two doors that lead to similar rooms. — Robert Irwin

Excursus: Homage to the Square³, 1998/2015

A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object. — Dorothea Rockburne

Intersection, 1971/2018

A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls. — Anne Truitt

Landfall, 1970

A doorway frames a column and two walls intersecting at a narrow angle, all bathed in yellow fluorescent light. — Bruce Nauman

Left or Standing, Standing or Left Standing, 1971

Black-and-white photograph of two brick towers with thick cylindrical bases, conical mid-sections, and thin cylindrical tops. — Bernd and Hilla Becher

Lime Kilns, Dieversburg, Holland, 1968

A pile of teal glass on a concrete floor. — Robert Smithson

Map of Broken Glass (Atlantis), 1969

Rectangular map of the world with flags embroidered on their respective countries and a border of letters and numbers. — Alighiero e Boetti

Mappa, 1972

A black canvas with centered white sans-serif type that reads — On Kawara

MAR. 24, 1974, 1974

High-contrast, black-and-white photograph of nearly empty, large factory room with chairs, desks, and books in foreground and vertical columns evenly spaced throughout room. — Vera Lutter

Nabisco Factory, Beacon I: July 19-22, 1999, 1999

MOR_No End Neon, 1990/2017 — François Morellet

No End Neon, 1990/2017

A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room. — Michael Heizer

North, East, South, West, 1967/2002

Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown. — Imi Knoebel

Raum 19, 1968

Knoebel, Rot Gelb Blau V (Red Yellow Blue V), 1978–79 — Imi Knoebel

Rot Gelb Blau V (Red Yellow Blue V), 1978–79

Placeholder — Carl Andre

Sand-Lime Instar, 1966/1995

STU_Sayreville Strata Quartet 1976 — Michelle Stuart

Sayreville Strata Quartet, 1976

Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue. — Andy Warhol

Shadows, 1978–79

A metal chair in the center of a large circular band, both suspended in an industrial space with concrete floor and white walls onto which the object casts a prominent shadow. — Bruce Nauman

South America Circle, 1981

Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads, — Lawrence Weiner

Statement of Intent, 1969

This rectangular painting features a repeating geometric pattern of black-and-white triangles. They appear to be bending in three dimensions. — Bridget Riley

Straight Curve, 1963

Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky. — Nancy Holt

Sun Tunnels, 1973–76

MER_Teatro cavallo — Mario Merz

Teatro cavallo (Horse Theater), 1967

A square canvas coated in thick, textured white paint features a small black bar with the phrase — Robert Ryman

The Paradoxical Absolute, 1958

A woman wearing a blue dress stands in front of a screen with projected images of a large cat and red-and-blue shapes. — Joan Jonas

The Shape, the Scent, the Feel of Things, 2004

Four multicolored squares hang in a row on a white wall. — Blinky Palermo

Times of the Day I, 1974–75

Two men are working with tools in an enclosed dark space in this black-and-white image. — Max Neuhaus

Times Square, 1977/2002

A large circular shape rests on a cement floor and consumes the visible space of a room with wooden ceiling beams and a light-colored brick wall in this black-and-white image. — Richard Serra

Torqued Ellipse I, 1996

6 wooden boxes, each has 2 strips of wood forming a cross over a red or blue interior. — Donald Judd

Untitled, 1991

A square beige canvas with frayed edges is mostly covered in textured white paint with bits of green and black. — Robert Ryman

Untitled, 1962 c.

A square, black painting of sixteen glazed, ceramic titles is placed on a white wall above a wooden floor. — Mary Corse

Untitled (Black Earth Series), 1978

A horizontally oriented, tabletop-like, gray sculpture is suspended from the ceiling. — Robert Morris

Untitled (Cloud), 1962

Red thread is suspended from the ceiling and runs along the floor at 90-degree angles in an industrial space. — Fred Sandback

Untitled (from Ten Vertical Constructions [rust red variation]), 1977–79

A square space is barricaded by several vertical yellow fluorescent tubes and one green tube on the right. — Dan Flavin

untitled (to Jan and Ron Greenberg), 1972–73

A square, luminescent painting includes a central, vertical band of light gray next to two vertical bands of white with thin, vertical stripes of gray along the painting's left and right edges. — Mary Corse

Untitled (White Inner Band), 2010

White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor. — Sol LeWitt

Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

Square, white, framed painting with two rectangular, dark-gray shapes hovering above two rectangular, beige shapes. — Agnes Martin

Window, 1957

A red and white L-shaped object hangs on a white wall in a large room with a wooden floor. — Blinky Palermo

Winkel rot–weiss (Angle Red-White), 1965

Placeholder — John Chamberlain

...and his hair was perfect, 1978

Palermo, Die Katze fuer Iris-Jasmin, 1964 — Blinky Palermo

"Die Katze" fuer Iris-Jasmin, 1964

Seven fluorescent-white, tubular lights positioned against a white wall in the shape of a tower. — Dan Flavin

"monument" 7 for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966–69

White fluorescent tubes mounted on a wall in the shape of a tower. — Dan Flavin

"monument" 1 for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" 12 for V. Tatlin, 1964

Seven fluorescent-white, tubular lights positioned against a white wall at varying heights beginning with the shortest bulb. — Dan Flavin

"monument" for V. Tatlin, 1964

Fluorescent white tubes of various lengths installed in a diamond shape at the bottom of a white wall, close to the wood floor. — Dan Flavin

"monument" for V. Tatlin, 1968

Eight fluorescent white tubes installed vertically against a wall with the two tallest in the middle and three increasingly smaller tubes flanking them on each side. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1970

Placeholder — Dan Flavin

"monument" for V. Tatlin, 1974

Placeholder — Dan Flavin

"monument" for V. Tatlin, 1974

Fluorescent white tubes of various lengths installed against a white wall close to the wood floor. — Dan Flavin

"monument" for V. Tatlin, 1968

White, red, and yellow fluorescent tubes are mounted at the intersection of two walls. — Dan Flavin

"monument" for V. Tatlin, 1981

Several white fluorescent tubes sit on the floor and others are mounted horizontally on the wall. — Dan Flavin

"monument" for V. Tatlin VI, 1964

Seven fluorescent-white, tubular lights positioned against a white wall and placed at an angle, four of which are shorter bulbs slanted toward the floor and three of which are longer bulbs slanted upward. — Dan Flavin

"monument" for V. Tatlin XI, 1964

Seven fluorescent-white, tubular lights positioned against a white wall, four of which are arranged in descending order from tallest to shortest, shortest light at center is followed by three more lights arranged in ascending order from shortest to tallest. — Dan Flavin

"monument" XI for V. Tatlin, 1964

A rectangular object is wrapped in beige fabric. A shape with — Franz Erhard Walther

1. Werksatz (First Workset), 1963–69/2010

Placeholder — Robert Irwin

1°2°3°4°, 1997–98

Black canvas with centered white sans serif type that reads — On Kawara

15 JUL. 1988, 1988

A black canvas with centered white sans-serif type that reads — On Kawara

18 MAI 2000, 2000

A black canvas with centered white sans-serif type that reads — On Kawara

19 DEC. 1998, 1998

A black canvas with centered white sans-serif type that reads — On Kawara

2 JAN. 1971, 1971

Large square windows are evenly spaced along one wall of an industrial room where a row of four large, curved sculptures consume the visible space in this black-and-white image. — Richard Serra

2000, 2000

Three large wall-mounted polygons in different, irregular shapes, one bright blue, one yellow, and one green. — Imi Knoebel

24 Farben–für Blinky (24 Colors—for Blinky), 1977

A calendar spanning one hundred years, each row contains a year, the days are listed numerically in black. — On Kawara

24,698 Days (100 Years Calendar), 2000

KNO_250.000 Zeichnungen (250,000 Drawings), 1968–75 — Imi Knoebel

250.000 Zeichnungen (250,000 Drawings), 1968–75

A black canvas with centered white sans-serif type that reads — On Kawara

26 OTT. 1990, 1990

A black canvas with centered white sans-serif type that reads — On Kawara

26. JULI 1976, 1976

A black canvas with centered white sans-serif type that reads — On Kawara

27 DEC. 1978, 1978

A black canvas with centered white sans-serif type that reads — On Kawara

27 MARS 1995, 1995

A black canvas with centered white sans-serif type that reads — On Kawara

28 DEC. 1972, 1972

A black canvas with centered white sans-serif type that reads — On Kawara

30.NOV.1986, 1986

Several tall metal poles are vertically placed around a vegetative desert landscape with a blue sky. — Walter De Maria

35-Pole Lightning Field, 1974

A series of many white hexagonal poles are horizontally placed on a red carpet that spans the length of a large white room with a wooden floor. — Walter De Maria

360˚ I Ching / 64 Sculptures, 1981

Placeholder — Walter De Maria

360˚ I Ching / 64 Sculptures (black), 1981/2019

A black canvas with centered white sans-serif type that reads — On Kawara

4 AUG. 1984, 1984

A wooden rectangular box is vertically placed on a wooden floor in a white room. — Walter De Maria

4' x 8' Box, 1961

A low wooden table, on which many small, circular, metal shapes are placed in two rows, sits in a hallway. — Richard Serra

45 maquettes for Torqued Ellipses, 1994–98

A black canvas with centered white sans-serif type that reads — On Kawara

5 ABR. 68, 1968

Three gallery walls along a corridor feature white text outlined in black. The nearest text reads: — Lawrence Weiner

5 Figures of Structure, 1987

A black canvas with centered white sans-serif type that reads — On Kawara

6 MRT.1991, 1991

Folded, beige, foam form with various multicolored markings. — John Chamberlain

A, 1969–70

Placeholder — Kishio Suga

Abandoned Situation, 1971/2016

Gifford, Acropolis, 1869 — Sanford Robinson Gifford, Nineteenth Century American Drawings

Acropolis, 1869

Jonas, installation view — Joan Jonas

After Mirage (Cones/May Windows), 1976

Placeholder — Bernd and Hilla Becher

Air Filter for Steel Plant, Neuves-Maisons, France, 1986

Placeholder — Blinky Palermo

Akte, 1962

A large-scale, couch-like object is covered with a soft white material in a room with wooden floors and many windows. Two wooden structures containing TVs sit at opposite ends of the couch and face each other. — John Chamberlain

American Barge, 1979

Boetti, Ammazzare il tempo, 1978 — Alighiero e Boetti

Ammazzare il tempo, 1978

A slightly porous mass is present in this black-and-white image. — Louise Bourgeois

Amoeba, 1963–65

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Androscoggin Valley, 1859

A black canvas with centered white sans-serif type that reads — On Kawara

APR. 25, 1983, 1983

A blue canvas with centered white sans-serif type that reads — On Kawara

APR. 30, 1999, 1999

Placeholder — Rita McBride

Arena, 1997

Framed photographs lean against a wall and in a corner. Seven frames with various photographs or blue or yellow paintings are installed above in addition to two stacks of copper and iron blocks. — Joseph Beuys

Arena - dove sarei arrivato se fossi stato intelligente!, 1970–72

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Artist Nichols under his Umbrella, 1858

A black canvas with centered white sans-serif type that reads — On Kawara

AUG. 29, 1992, 1992

A navy-blue canvas with centered white sans-serif type that reads — On Kawara

AUG. 3, 1981, 1981

Placeholder — Joseph Beuys

Aus Berlin: Neues vom Kojoten, 1979

Colman, Ausable Gorge in the Adirondacks, 1870 — Samuel Colman, Nineteenth Century American Drawings

Ausable Gorge in the Adirondacks, 1870

An irregularly shaped, bronze sculpture with circular structures coming out of its base is placed on a cement floor. — Louise Bourgeois

Avenza Revisited II, 1968–69

Sonnier, Ba-O-Ba VI (Secondary Triad), 1970 — Keith Sonnier

Ba-O-Ba VI (Secondary Triad), 1970

Placeholder — Blinky Palermo

Baerchen, 1963

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Bay of Baiae, 1847

De Maria SC1968.001-010_ FOR DIA WEBSITE USE ONLY — Walter De Maria

Bed of Spikes, 1968–69

Square, framed painting of thick, horizontal, pale orange bands alternating with thin, bluish-white stripes. — Agnes Martin

Benevolence, 2001

A vertically oriented sculpture made of red, blue, beige, and silver metal parts rests on a wooden floor. — John Chamberlain

Black Satin Custard, 1980

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Boat off Coast, 1880 c.

Four stacks of circular pieces of felt atop circular copper and iron base. — Joseph Beuys

Brasilienfond, 1979

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