27/08/2016 12:3027/08/2016 15:00Europe/LondonPublic Tours at Dia:BeaconDia:Beacon provides guided tours every Saturday and Sunday at 12:30 and 2 pm. Tours are free with admission. Reservations are not necessary but can be made in person at the admissions desk.
Dia:BeaconFALSEDD/MM/YYYYFREQ=WEEKLY;BYDAY=SU,SA;UNTIL=20260601T235900;Public Tours at Dia:Beacon
10/04/2018 18:3010/04/2018 23:45Europe/LondonSteven Seidenberg and Alan FelsenthalEvent DetailsTuesday, April 10, 2018, 6:30 pmDia:Chelsea535 West 22nd Street, 5th FloorNew York City
Readings in Contemporary Poetry curator, Vincent Katz provided an introduction for the evening's reading.
Free for Dia members; $10 general admission; $6 admission for students and seniors Advance ticket purchases recommended. Tickets are also available for purchase at the door, subject to availability.
Steven Seidenberg’s recent works include Situ (Black Sun Lit, 2018), Null Set (Spooky Action Books, 2015), Itch (Raw Art Press, 2014), and numerous chapbooks of verse and aphorism. He coedits pallaksch. pallaksch. (Instance Press), an occasional journal of experimental poetry, and organizes poetry events at the Lab in San Francisco. Seidenberg’s photo collections include Pipevalve: Berlin (Lodima Press, 2017).
But that’s not all. This seat, his seat, has never been another’s, has always only been dispensed to find his occupancy near. To suit his nearing occupation, if not the present circumstance of being thereby occupied, of being set upon by only him, by him alone. This is to say that as he turns his gaze back to his harbor, no matter what corrosive goad provoked him to dethrone, the cardinal intimation that his pulp should find no lading on that ramshackle recliner leaves him hardly an existence—hardly corrigibly extant—a manifold of carrion both drifting past and soon to come, and soon to spoil here…
Surely it has happened before, he thinks, he has left his bench before, many times, countless times, which does nothing to prevent him from attempting such a count, an assay that’s near equal to the feint of its achievement, at least when it’s considered from the outside, or…the outside of the outside, nearly the inside, but not quite—not yet—he still knows the difference…knows the difference is all difference, every difference held in state both in and out, in state and kind…
Alan Felsenthal runs a small press called the Song Cave. With Ben Estes, he edited A Dark Dreambox of Another Kind: The Poems of Alfred Starr Hamilton (Song Cave, 2013). His writing has appeared in BOMB, Brooklyn Rail, Critical Quarterly, Fence, jubilat, and Harper’s. Lowly, published by Ugly Duckling Presse in 2017, is his first collection of poems.
Suffering I drifted to youSeeing my suffering you sufferedOur conference on calamityOur joints moved against windSustained our growing painUntil protruding bonesFrom our rumpled skin coatsBroke through to exposeTheir staid, stagnant structuresTo a cat we were dual cat castlesA bird perched upon my clavicleTo a friend traveling byWe no longer existedBut our suffering did
Dia:ChelseaFALSEDD/MM/YYYYFREQ=WEEKLY;BYDAY=SU,SA;UNTIL=20260601T235900;Steven Seidenberg and Alan Felsenthal
29/04/2018 00:0029/04/2018 23:45Europe/LondonLast Sundays at Dia:BeaconHudson Valley residents receive free admission to Dia:Beacon on the last Sunday of each month.
Additionally, City of Beacon residents (including the adjacent Hudson Valley communities of Chelsea, Fishkill, and Glenham) receive free admission to Dia:Beacon every Saturday and Sunday.
Please present identification and proof of residence at the admissions desk.
Last Sundays at Dia:Beacon are made possible by Kiki McMillan, Charlie Pohlad, and the Pohlad family.
Dia:BeaconTUREDD/MM/YYYYFREQ=WEEKLY;BYDAY=SU,SA;UNTIL=20260601T235900;Last Sundays at Dia:Beacon
01/05/2018 18:3001/05/2018 23:45Europe/LondonMamiko Otsubo on Rita McBrideEvent DetailsTuesday, May 1, 2018, 6:30 pm
Dia:Chelsea535 West 22nd Street, 5th FloorNew York City Free for Dia members; $10 general admission; $6 admission for students and seniors Advance ticket purchases recommended. Tickets are also available for purchase at the door, subject to availability.
Mamiko Otsubo was born in Nishinomiya, Japan, in 1974. Her work has recently been featured in the solo exhibition Sky Lobby at Cleopatra’s in New York (2015) and Lullin + Ferrari in Zürich, Switzerland (2013), and included in the group show Minimal Baroque at Rønnebæksholm in Næstved, Denmark (2014). Recent public art commissions include Bold Tendencies in London, Lujiazui Harbour City in Shanghai, PS 313Q in New York, Public Art Fund in New York, and Socrates Sculpture Park in New York. Having first earned her BA in economics from the University of California, San Diego, she went on to study fine art at the Art Center College of Design in Pasadena, California, and receive her MFA in sculpture from Yale University in New Haven, Connecticut. She is a recipient of the Brown Foundation Fellows Program at the Dora Maar House in Ménerbes, France, which was awarded by the Museum of Fine Arts in Houston, and has held artist residencies at the MacDowell Colony in Peterborough, New Hampshire, and Statens Værksteder for Kunst in Copenhagen. In 2017 she was commissioned by the City of Seattle to realize a three-part public art project for the Center City Connector streetcar in 2020. She currently lives and works in Los Angeles.
Dia:ChelseaFALSEDD/MM/YYYYFREQ=WEEKLY;BYDAY=SU,SA;UNTIL=20260601T235900;Mamiko Otsubo on Rita McBride