Calendar

April 10 to May 10, 2018

<p>Photo: Eva Deitch </p>

Tour

Public Tours at Dia:Beacon


Dia:Beacon

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27/08/2016 12:30 27/08/2016 15:00 Europe/London Public Tours at Dia:Beacon Dia:Beacon provides guided tours every Saturday and Sunday at 12:30 and 2 pm. Tours are free with admission. Reservations are not necessary but can be made in person at the admissions desk.      Dia:Beacon FALSE DD/MM/YYYY FREQ=WEEKLY;BYDAY=SU,SA;UNTIL=20260601T235900; Public Tours at Dia:Beacon
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Tour

Public Tours at Dia:Chelsea


Dia:Chelsea

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01/11/2017 14:00 01/11/2017 13:00 Europe/London Public Tours at Dia:Chelsea Dia:Chelsea provides guided tours every Saturday at 2 pm. Tours are free with admission. Reservations are not necessary but can be made in person at the admissions desk located at 545 West 22nd Street in New York City.     Dia:Chelsea FALSE DD/MM/YYYY FREQ=WEEKLY;BYDAY=SA;UNTIL=20260801T235900; Public Tours at Dia:Chelsea
<p>Photo: Don Stahl</p>

Poetry Reading

Steven Seidenberg and Alan Felsenthal


Dia:Chelsea

Readings in Contemporary Poetry

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10/04/2018 18:30 10/04/2018 23:45 Europe/London Steven Seidenberg and Alan Felsenthal Event DetailsTuesday, April 10, 2018, 6:30 pmDia:Chelsea535 West 22nd Street, 5th FloorNew York City  Free for Dia members; $10 general admission; $6 admission for students and seniors Advance ticket purchases recommended. Tickets are also available for purchase at the door, subject to availability.  Steven Seidenberg’s recent works include Situ (Black Sun Lit, 2018), Null Set (Spooky Action Books, 2015), Itch (Raw Art Press, 2014), and numerous chapbooks of verse and aphorism. He coedits pallaksch. pallaksch. (Instance Press), an occasional journal of experimental poetry, and organizes poetry events at the Lab in San Francisco. Seidenberg’s photo collections include Pipevalve: Berlin (Lodima Press, 2017). from Situ But that’s not all. This seat, his seat, has never been another’s, has always only been dispensed to find his occupancy near. To suit his nearing occupation, if not the present circumstance of being thereby occupied, of being set upon by only him, by him alone. This is to say that as he turns his gaze back to his harbor, no matter what corrosive goad provoked him to dethrone, the cardinal intimation that his pulp should find no lading on that ramshackle recliner leaves him hardly an existence—hardly corrigibly extant—a manifold of carrion both drifting past and soon to come, and soon to spoil here… Surely it has happened before, he thinks, he has left his bench before, many times, countless times, which does nothing to prevent him from attempting such a count, an assay that’s near equal to the feint of its achievement, at least when it’s considered from the outside, or…the outside of the outside, nearly the inside, but not quite—not yet—he still knows the difference…knows the difference is all difference, every difference held in state both in and out, in state and kind… Alan Felsenthal runs a small press called the Song Cave. With Ben Estes, he edited A Dark Dreambox of Another Kind: The Poems of Alfred Starr Hamilton (Song Cave, 2013). His writing has appeared in BOMB, Brooklyn Rail, Critical Quarterly, Fence, jubilat, and Harper’s. Lowly, published by Ugly Duckling Presse in 2017, is his first collection of poems. Sailing Bones Suffering I drifted to youSeeing my suffering you sufferedOur conference on calamityOur joints moved against windSustained our growing painUntil protruding bonesFrom our rumpled skin coatsBroke through to exposeTheir staid, stagnant structuresTo a cat we were dual cat castlesA bird perched upon my clavicleTo a friend traveling byWe no longer existedBut our suffering did     Dia:Chelsea FALSE DD/MM/YYYY FREQ=WEEKLY;BYDAY=SA;UNTIL=20260801T235900; Steven Seidenberg and Alan Felsenthal
MCB_Particulates, 2017

Lecture

Mamiko Otsubo on Rita McBride


Dia:Chelsea

Artists on Artists Lecture Series

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01/05/2018 18:30 01/05/2018 23:45 Europe/London Mamiko Otsubo on Rita McBride Event DetailsTuesday, May 1, 2018, 6:30 pm Dia:Chelsea535 West 22nd Street, 5th FloorNew York City Free for Dia members; $10 general admission; $6 admission for students and seniors Advance ticket purchases recommended. Tickets are also available for purchase at the door, subject to availability. Mamiko Otsubo was born in Nishinomiya, Japan, in 1974. Her work has recently been featured in the solo exhibition Sky Lobby at Cleopatra’s in New York (2015) and Lullin + Ferrari in Zürich, Switzerland (2013), and included in the group show Minimal Baroque at Rønnebæksholm in Næstved, Denmark (2014). Recent public art commissions include Bold Tendencies in London, Lujiazui Harbour City in Shanghai, PS 313Q in New York, Public Art Fund in New York, and Socrates Sculpture Park in New York. Having first earned her BA in economics from the University of California, San Diego, she went on to study fine art at the Art Center College of Design in Pasadena, California, and receive her MFA in sculpture from Yale University in New Haven, Connecticut. She is a recipient of the Brown Foundation Fellows Program at the Dora Maar House in Ménerbes, France, which was awarded by the Museum of Fine Arts in Houston, and has held artist residencies at the MacDowell Colony in Peterborough, New Hampshire, and Statens Værksteder for Kunst in Copenhagen. In 2017 she was commissioned by the City of Seattle to realize a three-part public art project for the Center City Connector streetcar in 2020. She currently lives and works in Los Angeles.     Dia:Chelsea FALSE DD/MM/YYYY FREQ=WEEKLY;BYDAY=SA;UNTIL=20260801T235900; Mamiko Otsubo on Rita McBride