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802 results for

A large-scale, couch-like object is covered with a soft white material in a room with wooden floors and many windows. Two wooden structures containing TVs sit at opposite ends of the couch and face each other. — John Chamberlain

American Barge, 1979

Mutliple multicolored small square artworks that read — Alighiero e Boetti

Ammazzare il tempo, 1978

A slightly porous mass is present in this black-and-white image. — Louise Bourgeois

Amoeba, 1963–65

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Androscoggin Valley, 1859

A black canvas with centered white sans-serif type that reads — On Kawara

APR. 25, 1983, 1983

A blue canvas with centered white sans-serif type that reads — On Kawara

APR. 30, 1999, 1999

Placeholder — Rita McBride

Arena, 1997

Framed photographs lean against a wall and in a corner. Seven frames with various photographs or blue or yellow paintings are installed above in addition to two stacks of copper and iron blocks. — Joseph Beuys

Arena - dove sarei arrivato se fossi stato intelligente!, 1970–72

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Artist Nichols under his Umbrella, 1858

A black canvas with centered white sans-serif type that reads — On Kawara

AUG. 29, 1992, 1992

A navy-blue canvas with centered white sans-serif type that reads — On Kawara

AUG. 3, 1981, 1981

Placeholder — Joseph Beuys

Aus Berlin: Neues vom Kojoten, 1979

Drawing on beige paper of a river gorge with trees atop either side and white partially filling in the sky . — Samuel Colman, Nineteenth Century American Drawings

Ausable Gorge in the Adirondacks, 1870

An irregularly shaped, bronze sculpture with circular structures coming out of its base is placed on a cement floor. — Louise Bourgeois

Avenza Revisited II, 1968–69

Sonnier, Ba-O-Ba VI (Secondary Triad), 1970 — Keith Sonnier

Ba-O-Ba VI (Secondary Triad), 1970

Placeholder — Blinky Palermo

Baerchen, 1963

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Bay of Baiae, 1847

De Maria SC1968.001-010_ FOR DIA WEBSITE USE ONLY — Walter De Maria

Bed of Spikes, 1968–69

Square, framed painting of thick, horizontal, pale orange bands alternating with thin, bluish-white stripes. — Agnes Martin

Benevolence, 2001

A vertically oriented sculpture made of red, blue, beige, and silver metal parts rests on a wooden floor. — John Chamberlain

Black Satin Custard, 1980

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Boat off Coast, 1880 c.

Four stacks of circular pieces of felt atop circular copper and iron base. — Joseph Beuys

Brasilienfond, 1979

A pencil sketch of a mountainous region. — John Frederick Kensett, Nineteenth Century American Drawings

Catskill Mt., 1849 c.

A vertical and sheet-like sculpture made of multicolored metal parts that twist together rests on a wooden floor. — John Chamberlain

Chickmeat, 1979

A close-up of a desert diorama with sand, shrubs, and two books placed underneath the shrubs. — Dominique Gonzalez-Foerster

chronotypes & dioramas, 2009

Five cleavers stuck into a white wall in close proximity to each other. — Barry Le Va

Cleaved Corner, 1969/2019

A large, pyramid-shaped pile of gray salt with a mirror inset on top. — Robert Smithson

Closed Mirror Square (Cayuga Salt Mine Project), 1969

A bronze structure of various thick coils merging into one another is placed on a black table. — Louise Bourgeois

Clutching, 1962

A painting in mostly an off white hue with bits of blue slightly visible underneath. There is a roughly drawn orange outline of a long trapezoidal volcano shape with the word — Cy Twombly

Cnidian Venus, 1967

A charcoal and chalk sketch of trees along a coast. — James David Smillie, Nineteenth Century American Drawings

Coastal View, 1881

A dark sculpture with domed cylinders sprouting from its base on top of a solid slab of wood. — Louise Bourgeois

Colonnata, 1968

Small aluminum sphere atop an aluminum tower on the left side of an aluminum platform. — Walter De Maria

Column with Ball on Top, 1965

Placeholder — Meg Webster

Concave Earth, 1986–90

A blue-green diamond shape features two lines that are bent at ninety-degree angles. It hangs on a white wall above a wooden floor. — John Chamberlain

Conrad, 1964

Two parallel walls are painted half black and half white, with black above white on the left wall, and white above black on the right wall, both extending toward but not conjoined by a perpendicular white wall. — Richard Serra

Consequence, 2003

A white square painting hangs low on wall above wood floor using two pairs of tiny bolts on the top edge near the corners. — Robert Ryman

Consort, 1988

Square, framed painting of thick, horizontal, white bands alternating with thin, bluish-white stripes. — Agnes Martin

Contentment, 1999

Placeholder — Carl Andre

Cooper Station, 1974

A large copper tube-shaped vessel containing large chunks of salt. The copper is worn with various marks and smudges. — Meg Webster

Copper Containing Salt, 1990

A white square with an angular central spiral hangs on a white wall. Rectangular sections of smooth white paint interrupt rough swathes of brushstrokes. — Robert Ryman

Cord, 1994

A vertical sculpture composed of curved yellow and orange metal is placed against a white wall. — John Chamberlain

Coup d'Soup, 1980

Placeholder — Robert Havell, Jr., Nineteenth Century American Drawings

Cozzens from Garrisons, 1848 c.

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Croton Falls, 1862

Square, sparkly red-orange painting overlaid with two 3 x 3 grids of dark green squares at center left and pink squares at center right. — John Chamberlain

Crystals, 1965

Placeholder — Lucas Samaras

Cubes and Trapezoids, 1993–94

A diagonally mounted sculpture made red, yellow, green, and white metal parts hangs on a white wall. — John Chamberlain

Daddy-O-Springs, 1975

Two layers of three framed drawings in black, gray, white, and red hang from the ceiling in a gallery space. — Robert Whitman

Dante Drawings, 1974–75

Black-and-white photograph of coiled and intersecting tubes of various sizes. — Bernd and Hilla Becher

Detail of Petrochemical Plant, Wesseling near Colgne, Germany, 1992

Placeholder — Dia Art Foundation, The Architectural League honor, June 1982, 1982

Placeholder — Dia Center for the Arts 535 West 22nd Street N.Y N.Y., 1993

Sonnier, Dis-Play II, 1970/2018 — Keith Sonnier

Dis-Play II, 1970

Three rectangular works of various colors, sizes, and materials are placed directly against two connecting white walls that feature a continuous horizontal line a few feet above a wooden floor. — Dorothea Rockburne

Domain of the Variable, 1972/2018

A series of long, spiky, black, metal sculptures are arranged in parallel lines on a wooden floor. — John Chamberlain

Dooms Day Flotilla, 1982

A curved dark shape encircles a smaller-but-similar form in this black-and-white image. Several other circular forms are also visible in the background. — Richard Serra

Double Torqued Ellipse, 1997

Placeholder — Jasper F. Cropsey, Nineteenth Century American Drawings

Doune Castle, 1847

A horizontally oriented page with some scribbled text on the left side and sketched abstract forms drawn on the right side in pencil. — Joseph Beuys

Drawings for "Joseph Beuys, Zeichnungen zu den beiden 1965 wiederentdeckten Skizzenbucher 'Codices Madrid' von Leonardo da Vinci", 1974–75

Square, framed painting with horizontal, white bands along top and bottom, next to black bands, framing a brown center square with twenty-five evenly spaced black dots. — Agnes Martin

Earth, 1959

Placeholder — George H. Smillie, Nineteenth Century American Drawings

East Hampton, 1882

A long rectangular painting of medium pink with a lighter pink border hangs horizontally from a white wall above a wooden floor. — Anne Truitt

Echo, 1973

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is drawn in relation to the leftmost — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the rightmost — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is drawn in relation to the leftmost — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the rightmost — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

Room with window, white walls, and slightly slanted, steel slab resting on cement floor — Richard Serra

Elevational Wedge, 2001

Enchant — Bridget Riley

Enchant, 2004

A lumpy bronze structure is covered with various bumps and holes. — Louise Bourgeois

End of Softness, 1967

Melvin Edwards Equal Memories — Melvin Edwards

Equal Memories, 1970/2022

A triangular void is visible at the center of this organically shaped, metallic structure. — Louise Bourgeois

Etretat, 1960

Placeholder — Charles Gaines

Faces: Women, Series Two - Eight Faces, Set D, Face #4, "Parween Mody", 1978

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 11, 1997, 1997

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 14, 1967, 1967

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 19, 1975, 1975

Placeholder — Louise Bourgeois

Fée couturière, 1963

Placeholder — James David Smillie, Nineteenth Century American Drawings

Ferry on the Hudson River, 1880 c.

Placeholder — John Chamberlain

Flappe, 1980

Placeholder — John Chamberlain

Flappe, 1980

Sonnier, Flocked Wall, 1969 — Keith Sonnier

Flocked Wall, 1969

A squat, angular sculpture made of white and blue metal parts rests on a wooden floor. — John Chamberlain

Flufft, 1977

Nine stacks of rectangular pieces of felt, topped by thin copper blocks, are arranged in a large rectangle. — Joseph Beuys

Fond III/3, 1979

A stack of copper and iron blocks sit near a wall, while two rectangular stacks of felt of the same width and depth are placed away from the wall. — Joseph Beuys

Fond IV/4, 1979

Two nearly parallel, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

An off-white rectangle includes a vertically oriented, slightly diagonal, black line near its center and another much shorter, horizontally oriented, slightly diagonal, black line to its left. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

An off-white rectangle includes two centrally located, downward-facing black lines that form a nearly 45-degree angle. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

Two intersecting, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

Placeholder — Robert Smithson

Four-Sided Vortex, 1967

Placeholder — Frank Anderson, Nineteenth Century American Drawings

From Red Hook Mountain, Peekskill, N.Y., 1876

Robert Irwin

Full Room Skylight – Scrim V – Dia Beacon, 1972/2022

Placeholder — Mario Merz

FUNZIONE DI 8=21, 1971

A folded, cone-shaped, iridescent, glass object rests on a reflective, cement surface in front of a white background. — John Chamberlain

Gallup, 1970

Blue diamond with central grid of lighter blue and sparkly green squares. — John Chamberlain

Gary Lewis and the Playboys, 1965

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Emscher-Lippe," Ruhr District, Germany, 1987

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Heinrich-Robert," Hamm, Ruhr District, Germany, 1987

Black-and-white photograph of three vertical cooling towers with a vertical stack of half-cylindrical forms attached to the front and intersecting tubes connecting each tower. — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Scholven," Gelsenkirchen, Ruhr District, Germany, 1991

A cone-like, bronze shape is placed on its side with cylindrical forms of various sizes emerging from its flatter end. — Louise Bourgeois

Germinal, 1967

A square silver plaque featuring a grid of gold dots lies flat on a wood floor. — Walter De Maria

Gold Meters, 1975–76

Four neon tubes of increasing length lie beside one another on the floor in the corner of an industrial gallery space. The shortest tube is gold, the next is pink, and the two longest are both red. — Dan Flavin

gold, pink and red, red, 1964

A long, low-lying sculpture made of red, dark blue, and green metal parts rests on a wooden floor. — John Chamberlain

Gondola Henry Wadsworth Longfellow, 1981

A horizontally oriented, long sculpture made of blue, red, and multicolored metal parts rests on a wooden floor. — John Chamberlain

Gondola Herman Melville, 1981

A long, low-lying sculpture made of red, blue, green, and white metal parts rests on a wooden floor. — John Chamberlain

Gondola T. S. Eliot, 1981

A long, low-lying sculpture made of red, white, yellow, and multicolored metal parts rests on a wooden floor. — John Chamberlain

Gondola W. H. Auden, 1981

Melvin Edwards Gonogo — Melvin Edwards

Gonogo, 1970/2022

Framed, off-white sheet of paper shaped as an elongated pentagon with a smaller elongated pentagon drawn near the center. — Walter De Maria

Gothic Shaped Drawing (Red), 1965

Placeholder — John Chamberlain

Grandma's Hat, 1981

A thin, rectangular peach beam is stacked on a longer, pink beam on a wooden floor in front of a white wall. — Anne Truitt

Grant, 1974

Six pairs of mirrors set in right angles at the junction of the wall and floor with piles of gravel atop the cracked floor mirrors. — Robert Smithson

Gravel Mirrors with Cracks and Dust, 1968

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Grey Cliff, Porcupine Island, 1858

An object wrapped in beige fabric. — Franz Erhard Walther

Grosses Prozess-Buch (Large Process-Book), 1969

A close up of an irregular trapezoidal, scuffed silver, metal form on concrete floor. — Roni Horn

Group III:1 (Space Buttress), 1984

A close up of a dark grey irregular slab on concrete floor. — Roni Horn

Group III:2 (Space Buttress), 1983–84

A close up of a grey irregular rectangular form on concrete floor. — Roni Horn

Group III:3 (Space Buttress), 1983–85

Red-brown arrangement of metal resting on wooden block. — John Chamberlain

H. and S. Roth, 1959 c.

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Hamptonwick, 1843

A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire. — Louise Bourgeois

Hanging Janus with Jacket, 1968

Square, beige, framed painting with horizontal, pale orange and pale blue stripes at center. — Agnes Martin

Happiness, 1999

A black and white film still of a grainy black background with white text in a narrow font that reads — Walter De Maria

Hard Core, 1969

A crumpled-and-folded, white, metallic object with red details rests on a wooden floor in front of a white background. — John Chamberlain

Hidden Face, 1962

A vertically oriented sculpture with three standing sections made of multicolored metal parts rests on a wooden floor. — John Chamberlain

Hit Height Lear, 1979

A lit up plaster divider has four identical, evely spaced circles cut out of it. The circles descend from left to right. Circular light silhouettes are cast onto the background wall. — Nancy Holt

Holes of Light, 1973

Placeholder — Jervis McEntee, Nineteenth Century American Drawings

Hudson River at Oak Hill, 1858

Dan Flavin

icon VII (via crucis), 1962–64

Read more

SON_In Between, 1968 — Keith Sonnier

In Between, 1968

A gray, round sculpture sits on a concrete floor in front of brick wall. — Louise Bourgeois

Inner Ear, 1962

Square, white, framed painting with four evenly spaced, horizontal, light blue stripes. — Agnes Martin

Innocent Happiness, 1999

Square, framed painting with seven alternating horizontal bands of pale yellow, blue, and gray. — Agnes Martin

Innocent Living, 1999

Square, framed painting with five alternating horizontal bands of light gray and pale blue. — Agnes Martin

Innocent Love, 1999

An off-white white square with a circle made of nested rings of black lines. Secrtions of the circle ire stretched and pulled in different directions on the left side, distorting and interrupting the form — Bridget Riley

Interrupted Circle, 1963

Placeholder — Carl Andre

Inverted Henge (Meditation on the Year 1960), 1971

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Iona Island, 1857

Placeholder — John Chamberlain

It Ain't Cheap, 1965

A black canvas with centered white sans-serif type that reads — On Kawara

JAN. 1, 1993, 1993

A navy-blue canvas with centered white sans-serif type that reads — On Kawara

JAN. 21, 1982, 1982

A charcoal gray canvas with centered white sans-serif type that reads — On Kawara

JAN. 28, 1987, 1987

A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire. — Louise Bourgeois

Janus, 1968

A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire. — Louise Bourgeois

Janus in Leather Jacket, 1968

A crumpled ball-like sculpture made from reflective silvery green metal parts rests on a wooden floor. — John Chamberlain

Joe and Mary, 1973

A black canvas with centered white sans-serif type that reads — On Kawara

JUNE 16, 1966, 1966

A black canvas with centered white sans-serif type that reads — On Kawara

JUNE 7, 1994, 1994

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

A pencil sketch of river valley. — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

A vertically oriented sculpture made of red, white, and silver-striped red metal parts rests on a wooden floor. — John Chamberlain

King King Minor, 1982

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Kingston, 1857

Maroon diamond with central grid of overlaid blue, sparkly silver, and black squares. — John Chamberlain

Kinks, 1965

Placeholder — John Chamberlain

Kiss, 1974 c.

Black swirly ink marks form the shape of a keyhole on a white ground. — Blinky Palermo

Kleiner Geist, 1962

Placeholder — Blinky Palermo

Koepfe fuer Iris-Jasmin (2 Heads for Iris-Jasmin), 1963

Paper works installed in a locked grid on a wall, each with a bright red background with two tan pages of a notebook, each with uniquely collaged images, texts, pages, postcards, or handwritten notes. The works are installed on tall walls, organized in three-sized rooms, two of which are visible here. There are also sculptures of people and stuffed animals arranged on both the floor and pedestals in the center of the rooms. — Hanne Darboven

Kulturgeschichte 1880–1983, 1980–83

A rectangular silver form with various appendages rests on a white surface. — Louise Bourgeois

La Patte, 1965

A bronze tower curves upward and rests on a white surface. — Louise Bourgeois

Labyrinthine Tower, 1962

A white tower of concentric rings that diminish in size rests on a dark surface. — Louise Bourgeois

Lair, 1962

A roughly spherical, white, plaster form with irregular gaps rests on a gray surface. — Louise Bourgeois

Lair, 1962

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

A pencil sketch of a large rock formation with surrounding foliage. — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Lake of Albano, 1846

Folded, metallic form. — John Chamberlain

Le Molé, 1971

A pencil sketch of an observation tower. — Sanford Robinson Gifford, Nineteenth Century American Drawings

Leander's Tower-Bosphorus, 1869

A mound of sand on a concrete floor with a rectangular mirror sticking out of it. — Robert Smithson

Leaning Mirror, 1969

Placeholder — Blinky Palermo

Liegender Akt mit Schwarzer Wolke, 1963

Placeholder — Meg Webster

Lifted Conical Depression, 1990

Placeholder — Bernd and Hilla Becher

Lime Kilns, Jemelle, Belgium, 1996

Placeholder — Bernd and Hilla Becher

Lime Kilns, Jemelle, Belgium, 1996

Placeholder — Bernd and Hilla Becher

Lime Kilns, Kaltestal, Harz Mountains, Germany, 1997

Placeholder — Bernd and Hilla Becher

Lime Kilns, Kaltestal, Harz Mountains, Germany, 1997

Placeholder — Bernd and Hilla Becher

Lime Kilns, Marche-les-Dames, Belgium, 1996

Black-and-white photograph of two interconnected towers atop a smaller building and below an open-air tiered structure within a larger industrial setting. — Bernd and Hilla Becher

Lime Kilns, near Diez/Lahn, Germany, 1992

Black-and-white photograph of a windowless building below eight cylindrical towers, topped with scaffolding and tall ventilation tubes within a larger industrial complex. — Bernd and Hilla Becher

Lime Kilns, Rübeland, Harz Mountains, Germany, 1997

Six sheets of creased paper are evenly spaced along the horizon of two white walls and an open doorway. — Dorothea Rockburne

Locus, 1972

Folded, beige, foam form. — John Chamberlain

Lop Nor, 1967

Square, framed painting with six alternating horizontal bands of pale yellow and blue. — Agnes Martin

Love, 1999

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lovely Golden Meadow, 1859

Placeholder — John Chamberlain

Lovin' Spoonful, 1965

A crumpled ball-like sculpture made of reflective silvery green metal rests on a wooden floor. — John Chamberlain

Lucy and Ricky, 1973

An oblong red, white, and silver sculpture made of metal is placed in a white and brick room. — John Chamberlain

Luftschloss, 1979

Glass, prism-like mass with blue hues. — John Chamberlain

Luna, Luna, Luna (In Memory of Elaine Chamberlain), 1970

Two rectangular metal sheets lie flat across the tops of eight vertical metal poles. — Louise Bourgeois

Maisons Fragiles, 1978

Light-green arrangment of metal with green and red markings resting on steel plates. — John Chamberlain

Manitou, 1959

A drawing with an amorphous shape in the center with small triangles overlapping within it; the words — Robert Smithson

Map of Broken Clear Glass (Atlantis), 1969

Large industrial space under green light with projection screens serving as walls, displaying images of a small room containing various debris including furniture. — Bruce Nauman

Mapping the Studio I (Fat Chance John Cage), 2001

A close up of a textured, long, light grey dappled half-pipe form on concrete floor. — Roni Horn

Mass Removal III, 1982–83

A black canvas with centered white sans-serif type that reads — On Kawara

MAY 22, 1979, 1979

A black canvas with centered white sans-serif type that reads — On Kawara

MAY 25, 1970, 1970

A black canvas with centered white sans-serif type that reads — On Kawara

MAY 9, 1985, 1985

A square black board is painted nearly to the edges with small, rough strokes of white paint. — Robert Ryman

Measure, 1987

A square sheet of cream-colored paper painted off-white is taped to a white wall at the top and bottom edges. The edges are unpainted. — Robert Ryman

Medway, 1968 c.

A stack of twenty-seven bronze blocks of different sizes rests above a thin stainless-steel platform. — Louise Bourgeois

Memling Dawn, 1951

Placeholder — John Chamberlain

Memorial to Lost Souls at Sea, 1980–81

Knoebel, Mennigebild A1(Red Lead Picture A1), 1976/2017 — Imi Knoebel

Mennigebild A1 (Red Lead Picture A1), 1976/2017

Knoebel, Mennigebild A2 (für Palermo) (Red Lead Picture A2 [for Palermo]), 1976/2017 — Imi Knoebel

Mennigebild A2 (für Palermo) (Red Lead Picture A2 [for Palermo]), 1976/2017

Knoebel, Mennigebild A3 (Red Lead Picture A3), 1976/2017 — Imi Knoebel

Mennigebild A3 (Red Lead Picture A3), 1976/2017

Knoebel, Mennigebild A4 (Red Lead Picture A4), 1976/2017 — Imi Knoebel

Mennigebild A4 (Red Lead Picture A4), 1976/2017

Knoebel, Mennigebild B5 (Red Lead Picture B5), 1976/2017 — Imi Knoebel

Mennigebild B5 (Red Lead Picture B5), 1976/2017

Knoebel, Mennigebild C4 (Red Lead Picture C4), 1976/2017 — Imi Knoebel

Mennigebild C4 (Red Lead Picture C4), 1976/2017

Knoebel, Mennigebild D1 (Red Lead Picture D1), 1976/2017 — Imi Knoebel

Mennigebild D1 (Red Lead Picture D1), 1976/2017

Knoebel, Mennigebild D2-2 (Red Lead Picture D2-2), 1976/2017 — Imi Knoebel

Mennigebild D2-2 (Red Lead Picture D2-2), 1976/2017

Knoebel, Mennigeskulptur C7 (Red Lead Sculpture C7), 1976/2017 — Imi Knoebel

Mennigeskulptur C7 (Red Lead Sculpture C7), 1976/2017

Knoebel, Mennigeskulptur D3 (Red Lead Sculpture D3), 1976/2017 — Imi Knoebel

Mennigeskulptur D3 (Red Lead Sculpture D3), 1976/2017

Stump-like, beige foam form resting on multiple, multicolored carpet squares of various sizes. — John Chamberlain

Mesa, 1981

Placeholder — A. J. Davis, Nineteenth Century American Drawings

Millbrook, 1838

Black-and-white photograph of metallic vertical, diagonal, and horizontal trusses and arches across a space. — Bernd and Hilla Becher

Mines of Giraumont, Lorraine, France, 1985

MOU_Monochromes/Samples 2 — Jean-Luc Moulène

Monochromes/Samples 2, 2011

Red fluorescent horizontal tubes hang in the corner of a room. — Dan Flavin

monument 4 for those who have been killed in ambush (to P.K. who reminded me about death), 1966

Placeholder — Meg Webster

Mother Mound, 1990

Placeholder — Meg Webster

Mound, 1988

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Mountain Study, 1858

Two columns of different jewel colored squares and triangles overlap each other on an indigo background. — Dorothea Rockburne

Mozart and Mozart Upside Down and Backwards, 1985–86

A detailed pencil sketch of a mountainous region with foliage and lettering in the bottom right corner reading — Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert "August 31, 1858", 1858

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert "September 6, 1858", 1858

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert, Ironbound Island, 1858

Placeholder — Frank Anderson, Nineteenth Century American Drawings

Mt. St. Gabriel, 1878

An inverted black and white photo of evenly spaced columns with flared ceiling tops in a large space. — Vera Lutter

Nabisco Factory, Beacon VI: October 21-December 22, 1999, 1999

Placeholder — National Biscuit Co., Beacon, N.Y., Survey, 1930

A pencil sketch of a wide expanse of foliage with a mountain range in the background. Afixed to the drawing with tape is a label reading — Aaron Draper Shattuck, Nineteenth Century American Drawings

Near Iona Island, 1857

Placeholder — Meg Webster

Nearest Forest Soil, 1987

A large gray-brown rock sits upright in a rectangular cutout of a white wall. — Michael Heizer

Negative Megalith #5, 1998

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Niagara Falls, 1852 c.

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Niagara Falls Scene (?), 1852 c.

A crumpled sculpture made of black metal rests on a wooden floor. — John Chamberlain

Norma Jean Risen, 1967/1984

A wall-like, rectangular, dark sculpture with two vertical seams is centered on a wooden floor in front of a square white wall. — Anne Truitt

North, 1963

A schematic drawing of geometric forms with various measurements and notes. — Michael Heizer

North, East, South, West, 1999

A black canvas with centered white sans-serif type that reads — On Kawara

NOV. 20, 1969, 1969

A black canvas with centered white sans-serif type that reads — On Kawara

NOV. 3 1989, 1989

Placeholder — Charles Gaines

Numbers and Trees: Central Park Series IV: Tree #4, Lewitt, 2019

A close up of a segment of thick, seven-strand metal wire rope on concrete floor. — Roni Horn

Object of Constancy, 1980

A navy-blue canvas with centered white sans-serif type that reads — On Kawara

OCT. 11, 1980, 1980

A black canvas with centered white sans-serif type that reads — On Kawara

OCT. 13, 1973, 1973

Placeholder — Barry Le Va

Off Center, 1968-71/2019

Placeholder — Henry Farrer, Nineteenth Century American Drawings

On the Long Island Sound, 1890 c.

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

On the Winooski River, Vermont, 1856–60 c.

Placeholder — Carl Andre

one hundred sonnets, 1963

Green stenciled text placed high on a white wall reads: — Lawrence Weiner

ONE QUART EXTERIOR GREEN INDUSTRIAL ENAMEL THROWN ON A BRICK WALL, 1968

Placeholder — Alighiero e Boetti

Opera Postale, 1980

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Opposite West Point, 1857

Jewel colored squares and triangles overlap each other on a white background. — Dorothea Rockburne

Oxymoron, 1987–88

Small aluminum tower on left side of an aluminum platform. — Walter De Maria

Palladio, 1966

Placeholder — Charles Gaines

Palm Trees, Series II: Tree A+B+C+D, 2016

Black-and-white photograph of outdoor tiered metal structure with multilevel railings and walkways and large cylindrical pipes connecting to other structures. — Bernd and Hilla Becher

Partial View of Blast Furnace, Duisburg-Bruckhausen, Germany, 1991

Black-and-white photograph of a factory setting with numerous sets of pipes, support beams, and staircases. — Bernd and Hilla Becher

Partial View of Blast Furnace, Rombas, Lorraine, France, 1992

Black-and-white photograph of a tiered metal structure with tubes, railings, and a staircase surrounding a blast furnace. — Bernd and Hilla Becher

Partial View of Blast Furnace, Uckange, Lorraine, France, 1992

Black-and-white photograph of a tiered metal structure with railings, platforms, and diagonal support beams. — Bernd and Hilla Becher

Partial View of Blast Furnace, Unterwellenborn, Thüringen, Germany, 1991

Black-and-white photograph of a multilevel factory interior with platforms, staircases, railings, and a metal support structure surrounding a blast furnace. — Bernd and Hilla Becher

Partial View of Blast Furnace, Unterwellenborn, Thüringen, Germany, 1991

Close-up black-and-white photograph of a gas tank, showing geometric external ladders, staircases, and metal beams. — Bernd and Hilla Becher

Partial View of Gas Tank, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

Black-and-white photograph of pipes, shafts, ladders, grills, lattices, and other factory parts, emphasizing diagonal, vertical, and horizontal intersections of items. — Bernd and Hilla Becher

Partial View of Lime Plant, Dugny/Verdun, France, 1992

Placeholder — Bernd and Hilla Becher

Partial View of Lime Plant, Dugny/Verdun, France, 1992

Black-and-white photograph of a corner of a brick building's exterior featuring a lattice of vertical, horizontal, and diagonal metal beams affixed to the brick. — Bernd and Hilla Becher

Partial View of Preparation Plant, coal Mine, Waterschei, Belgium, 1988

Black-and-white photograph of two building structures on stilts above a pool of liquid flanking an open central passageway filled with sets of diagonal crossbeams extending into the background. — Bernd and Hilla Becher

Partial View of Water Cooler, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

Black-and-white photograph of a brick building behind a massive set of intersecting vertical and diagonal metal trusses and four metal pipes suspended from the building in mid-air. — Bernd and Hilla Becher

Partial View of Winding Tower, Coal Mine "Amalie," Bochum-Werne, Germany, 1968

Black-and-white photograph of brick factory building featuring an open-air diagonal metal support structure and an aboveground upper-story brick passageway. — Bernd and Hilla Becher

Partial view of Winding Tower, Coal Mine "Friedrich Heinrich," Kamp-Lintfort, Germany, 1982

Black-and-white photograph of a glass and brick factory building behind a large metallic scaffolding. — Bernd and Hilla Becher

Partial View of Winding Tower, Coal Mine "Minister Stein," Dortmund, Germany, 1987

Black-and-white photograph of a large vertical tower encased in an open-air metal support structure, outside a rectilinear brick building. — Bernd and Hilla Becher

Partial View of Winding Tower, Coal Mine "Minister Stein," Dortmund, Germany, 1987

Black-and-white photograph, taken at an angle, of the underside of a staircase and other diagonal building supports. — Bernd and Hilla Becher

Partial View of Winding Tower, Coal mine "Minister Stein," Dortmund, Germany, 1991

Black-and-white photograph of a vertical and diagonal metal support structure in front of a brick building. — Bernd and Hilla Becher

Partial View of Winding Tower, Coal Mine, Winterslag, Belgium, 1988

A dark industrial basement with cement columns is illuminated by a warm tone white spotlight focused on the floor. A bright red neon tube that peaks through the columns in the background. — Carl Craig

Party/After Party, 2020

Crushed pink and light brown paper streaked with dark brown marks. — John Chamberlain

Penthouse #46, 1969

Crushed gold-colored paper with dark brown marks at top and pink spots in the middle. — John Chamberlain

Penthouse #47, 1969

Crushed gold-colored paper streaked with dark brown marks and pink dots. — John Chamberlain

Penthouse #48, 1969

Crushed gold-colored paper with dark brown marks. — John Chamberlain

Penthouse #49, 1969

Off-white paper crushed into a cylindrical shape lying on its side. — John Chamberlain

Penthouse #50, 1969

Square, framed painting with thin, horizontal, bluish-white stripes alternating with thick, pale-yellow bands. — Agnes Martin

Perfect Happiness, 1999

Placeholder — Kishio Suga

Perimeter, 1985

A white square hangs on a white wall using four gray bolts and fasteners, affixed to the bottom and top of the work and near the corners. — Robert Ryman

Phoenix, 1979

A box-shaped sculpture made of yellow, blue, and silver metal parts rests on a wooden floor. — John Chamberlain

Pigmeat's E b Bluesong, 1981

A tall, green column is placed on a wooden floor in front of two white walls. — Anne Truitt

Pith, 1969

An off-white square is painted white with two thin parallel horizontal lines drawn in pencil near the center. The letter — Robert Ryman

Place IV, 1998

Fifteen upright, rectangular blocks of speckled granite are bound together with steel wire. The sculpture sits on a concrete floor in front of a brick wall. — Kishio Suga

Placement of Condition, 1973/2016

Black-and-white photograph of factory with curving cylindrical tubes, tanks, and other protuberances — Bernd and Hilla Becher

Plant for Styrofoam Production, Wesseling near Cologne, Germany, 1997

Placeholder — John Chamberlain

Portrait of a Nude with a Chrome Fan, 1979

Two thin, grey rods with textured, different sized, irregular rectangular, grey forms on their top ends lean against a white wall in an empty gallery space. — Roni Horn

Post Work III, 1986–87

A mostly black photo with a shadowy woman dressed in yellow and orange standing on the right side and looking away. Behind her is a blurry projection of an indigo organic form, perhaps a flower. — Robert Whitman

Prune Flat, 1965

Placeholder — Dan Flavin

Puerto Rican light (to Jeanie Blake) 2, 1965

A vertically oriented sculpture made of multicolored metal parts rests on a wooden floor. — John Chamberlain

Rainier Falls, 1977

Placeholder — Charlotte Posenenske

Raumteiler Serie E (Partitions Series E), 1967–68/2018

Raven, Ready Mix, installation view, 2021 — Lucy Raven

Ready Mix, 2021

Placeholder — John Chamberlain

Red Drawing with Kline in Mind, 1958

Placeholder — Carl Andre

Redoubt, 1977

A framed drawing of the right half of an ovular-shaped grid on aged paper. Each column of the grid is filled with the same number, starting from 1 and going until 12, from left to right. — Charles Gaines

Regression: Group #2, 1973–74

A long wooden log hangs from a thick rope above a large rectangular steel plate with small rocks sandwiched between the plate and concrete floor. — Lee Ufan

Relatum, 1974/2019

Three stones rest on a cement floor with a thin straight pole resting agains the white wall. Marks are on the wall in a semi-circular pattern non-continuous line, the darkest section near the top of the pole and fading then disappearing as they approach the floor. — Lee Ufan

Relatum, 1974/2011

Thousands of tightly arranged, thin steel rods stand upright in a bed of sand on a concrete floor surrounded by three white walls. — Lee Ufan

Relatum (formerly Iron Field), 1969/2019

Seven large rocks rest on beige pillows and are arranged in a loose circle on a concrete floor with a single lightbulb hanging above and a spotlight to the right. — Lee Ufan

Relatum (formerly Language), 1971/2011

Four steel plates bent at 90-degree angles sit on the floor in an open rectangular configuration near two more plates that are situated by gallery corners. — Lee Ufan

Relatum (formerly System), 1969

An aerial-view blueprint illustrates four side-by-side rectangular decks. — Robert Irwin

Rendering for Deck at Dia:Beacon, 1999 c.

A rendering illustrates two mirrored, nearly triangular, orange shapes with black outlines that intersect at their center points. Measurements, a horizontal line drawing, and the workÕs title accompany the shapes. — Robert Irwin

Rendering of "Butterfly" Entrance Gates, Dia Beacon, 2002

A blueprint illustrates two exterior views of a long, two-story building. — Robert Irwin

Rendering of Administration Building, Stand of Hawthornes, 1998

Three renderings of a building's entrance are marked with measurements and drawn in red, blue, and purple. The work's title is listed toward the bottom right corner. — Robert Irwin

Rendering of Dia Beacon Building Entrance, 2001

A drawing of an aerial veiw of Dia Beacon, with walls done in red lines, and internal pillars denoted as dots. All surrounding spaces, including the gardens and parking lot, are included, with plants drawn in green. — Robert Irwin

Rendering of Dia:Beacon, 1999 c.

A rendering of an entrance to a building is drawn with purple, blue, and yellow. — Robert Irwin

Rendering of entrance building for Dia:Beacon, 2000

An aerial-view blueprint illustrates a rectangular entryway with brick detail. — Robert Irwin

Rendering of entrance building for Dia:Beacon, 2000

An aerial-view blueprint illustrates the edge of an L-shaped building on the right and landscaping on the left. — Robert Irwin

Rendering of forecourt for Dia:Beacon, 2002

A sketch for iron gates at Dia Beacon, consisting primarily of a frontal view of the vertical bars, with a tree coming in from the right. Below is an aerial view of the gates, as well as text denoting dates and scale. Portions of the drawings are done in orange. — Robert Irwin

Rendering of iron gate for Dia:Beacon, 2001–02

A rendering illustrates two mirrored, nearly triangular, orange shapes with black-and-blue outlines that intersect at their center points. A horizontal line drawing appears beneath the shapes. — Robert Irwin

Rendering of iron gate for Dia:Beacon, 2001

A blueprint illustrates an aerial view of a rectangular deck on the left and a frontal view of a tree-lined courtyard on the right. — Robert Irwin

Rendering of platform with European hornbeam trees for Dia:Beacon, 1999

A blueprint illustrates two interior views of a long, two-story building and its staircases, roll-up doors, and windows. — Robert Irwin

Rendering of South Facing Elevation Nabisco Box Factory, 2000

Four renderings illustrate multiple views of a stairwell drawn with blue, black, and orange with type indicating — Robert Irwin

Rendering of stairway to West Garden, 1999

A blueprint illustrates various rectangular forms representing elevators, windows, doors, and fire exits. — Robert Irwin

Rendering of Visual Axis through Building North, South on Center Post, Dia/Beacon, 2000

A rendering of a stairwell, doors, and windows is drawn in blue, black, and red with type indicating architectural notes. — Robert Irwin

Rendering of West Elevation Additional Window Treatment Entrance/Exits, Garden Staircase, 2000

A long horizontal drawing of an aerial view of the west garden outside of Dia Beacon, with illustrations of different plants done in pink, purple, and green, overtop of the outlines of structures. Below the drawing are three brief columns listing four plant names in each. — Robert Irwin

Rendering of West Garden for Dia:Beacon, 2001

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Rocky Shore, 1850 c.

A large glass structure sits on a rooftop where people mill about. — Dan Graham

Rooftop Urban Park Project/Two Way Mirror Cylinder Inside Cube, 1981/1991

Knoebel, Rot Gelb Blau I (Red Yellow Blue I), 1978–79. — Imi Knoebel

Rot Gelb Blau I (Red Yellow Blue I), 1978–79

Knoebel, Rot Gelb Blau II (Red Yellow Blue II), 1978–79 — Imi Knoebel

Rot Gelb Blau II (Red Yellow Blue II), 1978–79

Knoebel, Rot Gelb Blau III (Red Yellow Blue III), 1978–79 — Imi Knoebel

Rot Gelb Blau III (Red Yellow Blue III), 1978–79

Knoebel, Rot Gelb Blau IV (Red Yellow Blue IV), 1978–79 — Imi Knoebel

Rot Gelb Blau IV (Red Yellow Blue IV), 1978–79

Knoebel, Rot Gelb Blau VI (Red Yellow Blue VI), 1978–79 — Imi Knoebel

Rot Gelb Blau VI (Red Yellow Blue VI), 1978–79

A round brown and silver metal sculpture in front of a white wall. — John Chamberlain

Royal Ventor, 1967

Placeholder — Joseph Beuys

Sandzeichnungen (Sand drawings), 1978

A room with a window, white walls, and debris scattered across the cement floor. — Richard Serra

Scatter Piece, 1967

Placeholder — Blinky Palermo

Schwarze Blumen, 1962

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

scrapbook, 1860s

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Seaside House, 1880 c.

Square, green-speckled painting overlaid with two 3 x 3 grids of dark orange squares at center left and sparkly red squares at center right. — John Chamberlain

Sensations, 1965

Placeholder — Kishio Suga

Separating Dependence, 1973/2013

A black canvas with centered white sans-serif type that reads — On Kawara

SEPT. 12, 1977, 1977

A black canvas with centered white sans-serif type that reads — On Kawara

SEPT. 8, 1996, 1996

POS Series B Reliefs 1967/2008–11 — Charlotte Posenenske

Series B Reliefs, 1967/2008–11

A red metal rectangular sculpture mounted on a white wall. The sculpture is a red metal sheet that is bent and folded into a symmetrical zig zag, installed so that the form alternates between extending into the gallery and then receding to touch the wall, starting and ending on the wall. — Charlotte Posenenske

Series B Reliefs, 1967/2008–11

A black metal rectangular sculpture mounted on a white wall. The sculpture is a black metal sheet that is bent and folded into a symmetrical zig zag, installed so that the form alternates between extending into the gallery and then receding to touch the wall, starting and ending off of the wall. — Charlotte Posenenske

Series B Reliefs, 1967/2018

POS Series C Reliefs, 1967/2018 — Charlotte Posenenske

Series C Reliefs, 1967/2018

A metal trapezoidal prism, with both the right and left sides removed so that all that remains are the front and back faces, and the small top face and larger bottom face, creating a tube. — Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Angular pieces], 1967/2018

A metal cube with the front and back faces removed, creating a square tube. — Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Cubic tubes], 1967/2018

A rectangular prism with the smallest front and back faces removed, creating a tube. — Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Rectangular tubes], 1967/2018

A stainless steel square tube segment sitting on its long side. — Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Square tubes], 1967/2018

A stainless steel square tube T-piece segment. — Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [T-pieces], 1967/2018

A stainless steel trapezoidal square tube transition piece segment. — Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Transition pieces], 1967/2018

A brown industrial cardboard angular joint segment for square tubes sitting on its long side. — Charlotte Posenenske

Series DW Vierkantrohre (Square Tubes) [Angular pieces], 1967/2018

A brown industrial cardboard rectangular tube segment sitting on its short faced long side. — Charlotte Posenenske

Series DW Vierkantrohre (Square Tubes) [Rectangular tubes], 1967/2018

A brown industrial cardboard square tube segment sitting on its long side. — Charlotte Posenenske

Series DW Vierkantrohre (Square Tubes) [Square tubes], 1967/2018

A brown industrial cardboard trapezoidal square tube transition piece segment. — Charlotte Posenenske

Series DW Vierkantrohre (Square Tubes) [Transition pieces], 1967/2018

Placeholder — Bridget Riley

Serif, 1964

A vertically oriented, rectangular, white-and-brown work on paper is placed near the ceiling and stretches along a white wall down to a wooden floor. Next to it is a horizontally oriented, rectangular, white, brown, and black work on paper that is placed on the wall just above the floor. A plus sign is placed on the wall between the two works on paper. — Dorothea Rockburne

Set, 1970/2018

Placeholder — Franz Erhard Walther

Seven Directions, 1976

Placeholder — Franz Erhard Walther

Seven Directions, 1976

A horizontally framed set of four images. The leftmost image is a black and white photo of a tall potted plant. The second from the left image is a black and white photo of the shadow of the potted plant. The second from the right image is a large grid of very small squares with squares from the bottom filled with black, red, and blue numbers to form the likeness of a potted plant. The rightmost image is a large grid of very small squares with squiares from the bottom filled with black, red, and blue numbers to form a thin verson of a potted plant. — Charles Gaines

Shadows IX, Set 1, 1980

Placeholder — Charles Gaines

Shadows IX, Set 2, 1980

A horizontally framed set of four images. The leftmost image is a black and white photo of a tall potted plant. The second from the left image is a black and white photo of the shadow of the potted plant. The second from the right image is a large grid of very small squares with squares from the bottom filled with black, red, and blue numbers to form the likeness of a potted plant. The rightmost image is a large grid of very small squares with squiares from the bottom filled with black, red, and blue numbers to form a thin verson of a potted plant. — Charles Gaines

Shadows IX, Set 3, 1980

A horizontally framed set of four images. The leftmost image is a black and white photo of a tall potted plant. The second from the left image is a black and white photo of the shadow of the potted plant. The second from the right image is a large grid of very small squares with squares from the bottom filled with black, red, and blue numbers to form the likeness of a potted plant. The rightmost image is a large grid of very small squares with squiares from the bottom filled with black, red, and blue numbers to form a thin verson of a potted plant. — Charles Gaines

Shadows IX, Set 4, 1980

A square silver plaque featuring a grid of silver dots lies flat on a wood floor. — Walter De Maria

Silver Meters, 1975–76

Placeholder — John Chamberlain

Slippery Axis, 1981

A sculpture made of red, pink, yellow, green, blue, gray, black, and white metal parts that twist together rests on a wooden floor. — John Chamberlain

Slow Dancing to the News, 1981

Small arrangement of metal in red, green, blue, and purple. — John Chamberlain

Socket, 1978

Crumpled red metal cylinder. — John Chamberlain

Socket, 1978

Angular crumpled metal object, painted sparkly purple with some small orange splotches. — John Chamberlain

Socket, 1978

Crumpled metal cylinder painted pastel blue, pink, green, and yellow. — John Chamberlain

Socket, 1978

Crushed metal cylinder painted green, with black, red, cream, and blue splotches of paint. — John Chamberlain

Socket, 1978

Crushed metal cylinder painted red, with splotches of turquoise and white. — John Chamberlain

Socket, 1978

Crushed yellow metal cylinder with navy, turquoise, and red splotches. — John Chamberlain

Socket, 1978

Crushed yellow metal cylinder with mauve, pink, white, and blue splotches, the inside painted green. — John Chamberlain

Socket, 1978

Placeholder — John Chamberlain

Softer Sticks, 1979

Placeholder — Robert Whitman

Solid Red Line/The Thin Red Line, 1967

Folded, beige, foam form. — John Chamberlain

Soopad, 1967

An aerial view of a large spiral made of rocks that runs counterclockwise from the shore into a pink lake. — Robert Smithson

Spiral Jetty, 1970

Large rectangular projection screens of various objects alternate with similarly large rectangular mirrors that reflect other projection screens and mirrors in a large green-lit space. — Robert Whitman

Spyglass (Film Images, 1960-1976), 1976–2003

Joan_Jonas-Shot-19_3386-Pano — Joan Jonas

Stage Sets, 1976/2018

Larry Bell — Larry Bell

Standing Walls I, 1968/2017

Placeholder — Stars Don't Stand Still in the Sky: Music and Myth, 1997

A large steel tube-shaped vessel containing large chunks of salt. The steel is vary dark and dull, with various marks and smudges. — Meg Webster

Steel Containing Salt, 1990

A detailed pencil and ink sketch of a mountainous river valley with architectural forms situated along the riverfront and a castle atop a mountain. — John Frederick Kensett, Nineteenth Century American Drawings

Stolzenfels, 1845

A sculpture made of purple, green, and yellow metal parts that twist together rests on a wooden floor. — John Chamberlain

Stoneyknob, 1981

Thin black lines are painted in a grid over a square beige canvas. — Robert Ryman

Stretched Drawing [2 x 2 grid], 1963 c.

Thin black lines are painted in a grid over a square beige canvas. — Robert Ryman

Stretched Drawing [5 x 5 grid], 1963

Thin black lines are painted in a grid over a square beige canvas. — Robert Ryman

Stretched Drawing [Square], 1963 c.

A series of architectural and hilltop pencil sketches on one piece of paper. — Robert Havell, Jr., Nineteenth Century American Drawings

Studies from Garrisons, 1848 c.

An inverted black and white photo of a large, long hanging print of evenly spaced columns in a large space. — Vera Lutter

Studio, IX: November 5 - December 15, 2003, 2003

A painting of a valley with a mountain range in the background. — Aaron Draper Shattuck, Nineteenth Century American Drawings

Study for a Valley Scene, 1860

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Study of Long Island (A beached sloop, New York Harbor), 1880 c.

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Study of Long Island (A lighthouse on Long Island), 1880 c.

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Study of Long Island (New York Harbor, three boats beached on shore), 1880 c.

Folded, beige, foam form. — John Chamberlain

Stuffed Dog 1, 1967

Folded, beige, foam form. — John Chamberlain

Stuffed Dog 2, 1970

Folded, beige, foam form. — John Chamberlain

Stuffed Dog 3, 1970

Folded, beige, foam form with red speckles and various red-hued markings. — John Chamberlain

Stuffed Dog 4, 1970

Folded, beige, foam form resembling a barrel of hay. — John Chamberlain

Stuffed Dog 5, 1970

Folded, beige, foam form with various multicolored markings. — John Chamberlain

Stuffed Dog 6, 1970

Folded, beige, foam form with dark markings on its underside. — John Chamberlain

Stuffed Dog 7, 1970

Folded, beige, foam form with various red markings. — John Chamberlain

Stuffed Dog 8, 1970

Folded, beige, foam form with various multicolored markings. — John Chamberlain

Stuffed Dog 9, 1970

A square painting of large boulders in the middle of a forest. — Aaron Draper Shattuck, Nineteenth Century American Drawings

Sunlight in Depth Forest, 1861

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Sunset near Great South Bay, Long Island, 1902

A columnar sculpture made of red metal parts that twist together rests on a wooden floor. — John Chamberlain

SWIFT WI T, 1979

A foam square with curved forms carved into its top rests on a wooden floor in front of a white background. — John Chamberlain

Table Sandwich, 1970

A foam square with curved forms carved into its top rests on a wooden floor in front of a white background. — John Chamberlain

Table Sandwich, 1970

MER_Tavola a spirale, 1982 — Mario Merz

Tavola a spirale (Spiral Table), 1982

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

The Binnie Water Near Hurley, 1857

Five vertical columns of sections of brass rods on a wood floor. — Walter De Maria

The Broken Kilometer, 1979

Placeholder — The Dia Center for the Arts Beuys Installation W 22nd St Site Plan, 1994

Fluorescent yellow light installed at a 45-degree angle to the right and with the left corner touching floor. — Dan Flavin

the diagonal of May 25, 1963 (to Constantin Brancusi), 1963

Twelve pairs of metal circles and squares laid flat on a wood floor. — Walter De Maria

The Equal Area Series, 1976–77

Twelve pairs of metal circles and squares laid flat on a wood floor. — Walter De Maria

The Equal Area Series, 1976–77

Twelve pairs of metal circles and squares laid flat on a wood floor. — Walter De Maria

The Equal Area Series, 1976–77

Twelve pairs of metal circles and squares laid flat on a wood floor. — Walter De Maria

The Equal Area Series, 1976–77

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