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Special Event

Hudson Valley Free Day


Dia Beacon

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25/09/2022 00:00 25/09/2022 23:45 Europe/London Hudson Valley Free Day Hudson Valley residents receive free admission to Dia Beacon on the last Sunday of each month. The Hudson Valley encompasses the following counties: Albany, Columbia, Dutchess, Greene, Orange, Putnam, Rensselaer, Rockland, Saratoga, Schenectady, Sullivan, Ulster, Washington, and Westchester. Please contact 845 231 0811 or tickets@diaart.org to reserve tickets. Hudson Valley Free Days at Dia Beacon are made possible by Charlie Pohlad.     Dia Beacon TURE DD/MM/YYYY Hudson Valley Free Day
WAR_Shadows

Members’ Event

Member Closing Tour of Andy Warhol: Shadows


Dia Beacon

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01/10/2022 18:00 01/10/2022 23:45 Europe/London Member Closing Tour of Andy Warhol: Shadows Event DetailsSaturday, October 1, 10:30 am Dia Beacon3 Beekman StreetBeacon, New York For all members. Join or renew today. Join us at Dia Beacon for a private breakfast and tour of Andy Warhol’s Shadows (1978–79) during its final days. Light refreshments will be served at 10:30 am, and Donna De Salvo, senior adjunct curator at Dia, will provide opening remarks at 11 am before the tour. The museum and bookshop will be open to members. RSVP to Kaija Mendez-Bryan at membership@diaart.org or 212 293 5520. Dia Beacon FALSE DD/MM/YYYY Member Closing Tour of Andy Warhol: Shadows
POS_installation view 2021

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08/10/2022 00:00 08/10/2022 23:45 Europe/London Jessica Vaughn in Conversation with Stephen Kwok and Alexis Lowry on Charlotte Posenenske Event DetailsSaturday, October 8, 2022, 2 pm Dia Beacon3 Beekman StreetBeacon, New York Free with museum admission. Space is limited and offered on a first-come, first-served basis. Jessica Vaughn is an artist who lives in Brooklyn, New York. Her work in sculpture, video, and photography interrogates questions of labor, race, and architecture. Vaugh’s artist book Depreciating Assets was published in 2021 by Printed Matter. She received a BHA from Carnegie Mellon University, Pittsburgh, and an MFA from the University of Pennsylvania, Philadelphia. Vaughn participated in the Whitney Independent Study Program and attended the Skowhegan School of Painting and Sculpture. She is an associate professor of art at Temple University, Philadelphia, and a 2022 WRI Research Fellow at the Canadian Centre for Architecture in Montreal. Vaughn’s work has been recently shown in the solo exhibition Our Primary Focus is to Be Successful (2021) at the Institute of Contemporary Art, Philadelphia, and in group exhibitions including The Condition of Being Addressable (2022) at the Institute of Contemporary Art, Los Angeles. She has a forthcoming solo exhibition at the Kunstverein für die Rheinlande und Westfalen, Düsseldorf, in 2023.  Stephen Kwok is curator of public engagement at Dia, where he was a facilitator at the Posenenske Sessions, a series of programs held in conjunction with displays of the artist’s work at Dia Beacon. Alexis Lowry is curator at Dia, where she organized the 2019 retrospective Charlotte Posenenske: Work in Progress and the current display of the artist’s work. Dia Beacon TURE DD/MM/YYYY Jessica Vaughn in Conversation with Stephen Kwok and Alexis Lowry on Charlotte Posenenske
Camille Norment, <em>Untitled</em> (detail), 2022. © Camille Norment. Photo: Don Stahl

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14/10/2022 00:00 14/10/2022 23:45 Europe/London Camille Norment: Plexus Book Launch; A conversation with Camille Norment, Seth Cluett, and James Hoff Event DetailsFriday, October 14, 2022, 1 pmDia Chelsea537 West 22nd StreetNew York, New York Free. Register for the event here. Throughout her career, Camille Norment has investigated what she terms cultural psychoacoustics: the relationships and contingencies between sound, culture, and perception. Building on her commission for Dia Chelsea, Plexus (2022), this artist’s book seeks formally and conceptually to imbue a sonic sensibility and extend understandings of the artist’s practice. On the occasion of the publication’s launch, Norment will be in dialogue with artists Seth Cluett and James Hoff about the interrelations of sound (art) and print media, as well as how the book form can reflect time-based work. As an extension of Plexus, Cluett and Hoff collaborated with Norment on “Context and Constellations,” an iterative and interactive library of text and audio with which visitors are invited to engage in Dia Chelsea’s program space. Extending this collaborative mode to a live conversation, the artists will also speak to how the library’s materials are accrued and how text and distributed media can provide new and critical context to the experience of listening. This program is presented as part of The 2022 NY Art Book Fair Classroom. Hosted by Dia Art Foundation, 537 W. 22 Street, The Classroom is a long-running program that provides space for artists, writers, designers, and publishers to highlight new releases and fosters dialogue around important themes in artists’ book publishing. The program is organized in collaboration with David Senior, Director of Library & Archives at SFMOMA. The 2022 NYABF is taking place October 13–16 at 548 W. 22nd St. Seth Cluett is a composer, visual artist, and writer. He has received grants from Foundation for Contemporary Arts Emergency Fund and Meet the Composer, and his work has been presented internationally at venues such as the Whitney Museum of American Art, New York; MoMA PS1, New York; and CONTEXT Art Miami. Cluett is artist-in-residence at Nokia Bell Labs in Holmdel, New Jersey, and director of the Computer Music Center at Columbia University, New York, where he is on the faculty of music composition and also serves as assistant director of the school’s Sound Art MFA program. James Hoff is an artist living in Brooklyn, New York. His work encompasses a variety of media, including painting, sound, and performance, as well as a publishing practice with the organization Primary Information, which he co-founded. Recently, his work has focused on language and ambient media at the intersection of developing technologies and networked communication in relation to social, political, and sonic space. He has exhibited work and performed at cultural organizations throughout North America and Europe.  Camille Norment was born in Silver Spring, Maryland, in 1970. She received a BA in comparative literature and art history from the University of Michigan in 1992. At New York University, she received an MFA in 1994 and an MA in Interactive Telecommunications in 1998. She attended the Whitney Independent Study Program in 1994–95. Norment’s practice is informed by the sonic and spans drawing, installation, performance, sculpture, sound, and video. Her work has recently been shown in solo exhibitions at Oslo Kunstforening, Norway; Reva and David Logan Center for the Arts, University of Chicago; and Temple Bar Gallery + Studios, Dublin. Several permanent public installations and sculptures of her work are installed in Norway and Italy. She has recently performed at institutions including the Munch Museum, Oslo (2021); Renaissance Society, University of Chicago (with Hamid Drake, 2019); and Walker Art Center, Minneapolis (with Craig Taborn, 2019). Her albums include Toll (2011) and the soundtrack and special-edition LP for the film The Haunted (2017/20). Norment represented Norway in the 2015 Venice Biennale and has since participated in the Kochi-Muziris (2016), Montreal (2016), Lyon (2017), and Thailand (2018) biennials. She is prorector of research at the Kunsthøgskolen i Oslo (Oslo National Academy of the Arts). She lives in Oslo. Dia Chelsea TURE DD/MM/YYYY Camille Norment: Plexus Book Launch; A conversation with Camille Norment, Seth Cluett, and James Hoff

Exhibitions & Projects On View

WAR_Shadows

Andy Warhol: Shadows

Closing October 2, 2022, Dia Beacon

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Blinky Palermo, <em>Times of the Day I</em>, 1974–75. Dia Art Foundation © Blinky Palermo/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

Blinky Palermo

Opened August 20, 2022, Dia Beacon

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Camille Norment, <em>Untitled</em>, 2022. Installation view, Dia Chelsea, New York. © Camille Norment. Courtesy Dia Art Foundation. Photo: Sophie Sahara

Camille Norment: Plexus

March 3, 2022–January 7, 2023, Dia Chelsea

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GAI_installation view 1

Charles Gaines

Long-term view, Dia Beacon

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POS_installation view 2021

Charlotte Posenenske

Long-term view, Dia Beacon

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A green fluorescent barrier spans a large dark room with pillars.

Dan Flavin

Long-term view, Dia Beacon

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Two wooden slats joined in the middle, running from one wall to another.

Donald Judd

Long-term view, Dia Beacon

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ROC_installation view 2019

Dorothea Rockburne

May 6, 2018—November 27, 2022, Dia Beacon

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Sandback_Untitled 1977_Photo Bill Jacobson_1_PR

Fred Sandback

Long-term view, Dia Beacon

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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

Long-term view, Dia Beacon

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Long-term view, Dia Beacon

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KNO_install 1_ 2021

Imi Knoebel

Long-term view, Dia Beacon

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<em>Jo Baer</em>, installation view, Dia Beacon, Beacon, New York, 2022. © Jo Baer. Photo: Bill Jacobson Studio, New York

Jo Baer

Long-term view, Dia Beacon

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Joan_Jonas-Shot-21B_5462-Edit-Powerpoint and Website 72dpi

Joan Jonas

Long-term view, Dia Beacon

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A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Long-term view, Dia Beacon

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<em>Larry Bell</em>, installation view, Dia Beacon, Beacon, New York, 2022. © Photo: Bill Jacobson Studio, New York

Larry Bell

Long-term view, Dia Beacon

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Lawrence Weiner, <em>5 Figures of Structure</em>, 1987. Dia Art Foundation; Partial gift, Lannan Foundation, 2013. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

Lawrence Weiner

Opened August 12, 2022, Dia Beacon

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Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

Long-term view, Dia Beacon

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<em>Leslie Hewitt</em>, installation view, Dia Bridgehampton, New York, 2022. Photo: Don Stahl

Leslie Hewitt

June 24, 2022—June 4, 2023, Dia Bridgehampton

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[second exhibition view]

Louise Bourgeois

Long-term view, Dia Beacon

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LEW_West Garden 2008_2_for Lawler image

Louise Lawler

Long-term view, Dia Beacon

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Merz, 8, 5, 3, 1985

Mario Merz

Long-term view, Dia Beacon

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Two adjacent beige rectangular pieces of paper, the left displaying a multicolored line drawing, the right a block of handwritten text

Max Neuhaus

Long-term view, Dia Beacon

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Abbas and Abou-Rahme, Postscript: after everything is extracted, part of May amnesia never kiss us o

May amnesia never kiss us on the mouth

Part II Launched March 5, 2022, Artist Web Projects

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Melvin Edwards, <em>Gonogo</em> (detail), 1970/ 2022. © Melvin Edwards. Photo: Don Stahl

Melvin Edwards

Long-term view, Dia Beacon

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A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Long-term view, Dia Beacon

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STU_Sayreville Strata Quartet 1976

Michelle Stuart

Long-term view, Dia Beacon

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

Long-term view, Dia Beacon

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SER_Torqued Ellipses_Bill Jacobson 10.22.2014 HR

Richard Serra

Long-term view, Dia Beacon

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 Robert Irwin, <em>Full Room Skylight – Scrim V – Dia Beacon</em>, 1972/2022. Installation view, Dia Beacon, Beacon, New York, 2022. © Dia Art Foundation. Photo: Bill Jacobson Studio, New York

Robert Irwin

Opened August 6, 2022, Dia Beacon

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Irwin, Rendering of Dia:Beacon, c. 1999

Robert Irwin, Beacon Project

Long-term view, Dia Beacon

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Two square white paintings hang on either side of a corner; the left one is very large and the right one is very small. A large, rectangular white painting affixed to a wall by long metal rods and resting on the wood floor is partially visible through a doorway to the left of the paintings.

Robert Ryman

Long-term view, Dia Beacon

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A pile of teal glass on a concrete floor.

Robert Smithson

Long-term view, Dia Beacon

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LEW_Wall_Drawing_411B_D_Photo Bill Jacobson

Sol LeWitt

Long-term view, Dia Beacon

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