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January 10 to February 9, 2018

Dia Talks

Lars Nittve and Jessica Morgan on Walter De Maria


Dia Beacon

Dia Talks

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20/01/2018 02:00 20/01/2018 23:45 America/New_York Lars Nittve and Jessica Morgan on Walter De Maria Event DetailsSaturday, January 20, 2017, 2 pm Dia:Beacon3 Beekman StreetBeacon, New YorkFree with museum admission. No reservations required.  Lars Nittve was born in Stockholm in 1953. He received an MA from Stockholm University and was awarded an honorary PhD in 2009 by Umeå University in Sweden. Nittve previously studied at the Stockholm School of Economics and New York University, wrote extensively as an art critic for the Stockholm newspaper Svenska Dagbladet and the magazine Artforum during his academic years, and taught art history at the University of Stockholm from 1978 to 1985. In 1986 Nittve was appointed chief curator at the Moderna Museet in Stockholm. In 1990 he was selected as founding director of Rooseum Center for Contemporary Art in Malmö, Sweden, and later went on to serve as director of the Louisiana Museum of Modern Art in Humlebaek, Denmark, first director of the Tate Gallery of Modern Art in London, and director of Moderna Museet. From 2011 to 2016, Nittve was the executive director of M+ in Hong Kong. He has since been CEO and chairman of Nittve Information, Hong Kong and Sweden.  Jessica Morgan joined Dia Art Foundation as director in January 2015, and was named Nathalie de Gunzburg Director in October 2017. At Dia, Morgan is responsible for strengthening and activating all parts of Dia’s multivalent program, including its pioneering Land art projects, site-specific commissions, and collections and programs at Dia:Beacon, as well as reinvigorating its artistic and intellectual presence in New York City. Prior to assuming her position at Dia, Morgan served as the artistic director of the tenth Gwangju Biennale in 2014, the Daskalopoulos Curator, International Art, at Tate Modern in London from 2010 to 2014, and as a curator at Tate from 2002 to 2010. At Tate, she organized a number of important exhibitions including the group show The World Goes Pop (2015–16) and retrospectives Saloua Raouda Choucair (2013), Gabriel Orozco (2011), and John Baldessari: Pure Beauty (2009–10). In addition to her work on exhibitions, Morgan played a key role in the growth of Tate’s collection—helping develop the museum’s holdings of mid-century and emerging art from North America, the Middle East, North Africa, and South Asia—and worked extensively with the institution’s International Council. Morgan received her MA in art history from the Courtauld Institute of Art, University of London.     Dia Beacon FALSE DD/MM/YYYY Lars Nittve and Jessica Morgan on Walter De Maria

Dia Talks

Yve-Alain Bois and Benjamin
H. D. Buchloh on François Morellet


Dia Chelsea

Dia Talks

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03/02/2018 14:30 03/02/2018 23:45 America/New_York Yve-Alain Bois and BenjaminH. D. Buchloh on François Morellet Event DetailsSaturday, February 3, 2018, 2:30 pm Dia:Chelsea535 West 22nd Street, 5th FloorNew York City This event has reached capacity. Advance reservations are no longer available. Walk-up tickets will be available at the door, subject to availability. Dia Art Foundation presents a conversation between prominent scholars Yve-Alain Bois and Benjamin H. D. Buchloh. Adjunct curator of François Morellet, Béatrice Gross, moderates the conversation. Yve-Alain Bois is Professor of Art History in the School of Historical Studies at the Institute for Advanced Study, Princeton, New Jersey. Bois is the author of Painting as Model (MIT Press, 1991), an editor of the journal October, and coeditor of Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, 2004) with Benjamin H. D. Buchloh, Hal Foster, and Rosalind Krauss. In 2016 October published an anthology of François Morellet’s writings along with Bois’s “François Morellet/Sol LeWitt: A Case Study Revisited.” He is currently working on the catalogue raisonné of Ellsworth Kelly’s paintings and sculpture. Benjamin H. D. Buchloh is the Andrew W. Mellon Professor of Modern Art at Harvard University, Cambridge, Massachusetts. Buchloh is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press, 2001) and Formalism and Historicity: Models and Methods in Twentieth-Century Art (MIT Press, 2015), as well an editor of the journal October and a contributor at the magazine Artforum. Along with Yve-Alain Bois, Hal Foster, and Rosalind Krauss, he is the coeditor of Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, 2004). In 2007 Buchloh received the Venice Biennale’s Golden Lion Award for Contemporary Art History and Criticism. He has previously written essays for Dia on artists James Coleman and Thomas Hirschhorn. This program is made possible by support from Lisa and Tom Blumenthal. Symposia and other DiaTalks are part of the Sackler Institute at Dia Art Foundation. Public programs at Dia:Chelsea are supported in part by the Andrew W. Mellon Foundation.     Dia Chelsea FALSE DD/MM/YYYY Yve-Alain Bois and BenjaminH. D. Buchloh on François Morellet

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