27/08/2016 12:3027/08/2016 15:00Europe/LondonPublic Tours at Dia:BeaconDia:Beacon provides guided tours every Saturday and Sunday at 12:30 and 2 pm. Tours are free with admission. Reservations are not necessary but can be made in person at the admissions desk.
Dia:BeaconFALSEDD/MM/YYYYFREQ=WEEKLY;BYDAY=SU,SA;UNTIL=20260601T235900;Public Tours at Dia:Beacon
01/11/2017 14:0001/11/2017 13:00Europe/LondonPublic Tours at Dia:ChelseaDia:Chelsea provides guided tours every Saturday at 2 pm. Tours are free with admission. Reservations are not necessary but can be made in person at the admissions desk located at 545 West 22nd Street in New York City.
Dia:ChelseaFALSEDD/MM/YYYYFREQ=WEEKLY;BYDAY=SA;UNTIL=20260801T235900;Public Tours at Dia:Chelsea
13/03/2018 18:3013/03/2018 23:45Europe/LondonTonya Foster and Marcella DurandEvent DetailsTuesday, March 13, 2018, 6:30 pmDia:Chelsea535 West 22nd Street, 5th FloorNew York City
Free for Dia members; $10 general admission; $6 admission for students and seniors Advance ticket purchases recommended. Tickets are also available for purchase at the door, subject to availability.
Tonya Foster is the author of the bilingual chapbook La Grammaire des Os (The Grammar of Bones [éditions joca seria, 2016]), the author of the poetry collection A Swarm of Bees in High Court (Belladonna, 2015), and a coeditor of Third Mind: Creative Writing through Visual Art (Teachers and Writers Collaborative, 2002). Foster is an assistant professor of writing, literature, and creative writing at California College of the Arts in Oakland, and is also a poetry editor at Fence magazine. Her work has been published in Callaloo, Hat, MiPOesias, NYFA Arts Quarterly, Poetry Project Newsletter, and Western Humanities Review, as well as on the Poetry Foundation website and elsewhere.
from Etiquette In collaboration with Alice Notley’s Descent of Alette…
2.Toddler-head tilted, fore-finger pressed againstthe side of his tender jaw, M. poses, looks like he’s thinking,looks like he’s looking at me looking at him;
in the photo, looks like he’s looking through the remnantsI’ve made, at each you who holds the photos before your faceno matter how long after you’re looking at the him in this looking out.
You see in the looking out and your looking in something of the selfthat you, years later, will come to know, will come to be, and to know and to be areforms of loving, are forms of holding a body and ideas of looking,of bodies in a mind like a prism.
To say “Light falls” or “Night falls” is to speak of space, the curvatureswe navigate. Blood-bound, we are at B.’s Las Vegas wedding before you are you, and M. has just learned that a camera assembles and refracts. I point. He points. Each shot a we
In-a-would-be-drowned city, what one girl sawof grief was the war-lost father and a baby brother laid out like expansesof water we, even as we stand on far shores, must cross.
And the girl and M and you and I are blood-bound.It is sassy to say, “I see”; sassier to say, “I see you”;sassiest to say, “I see you looking at me,” to call outwhat we are looking for.
4.For a time, grief politely organized the water-logged girl politely.In a family photo, she sits center, hands folded in her lap. I hear that shewas for a long time largely quiet, holding her grief-strung tongue
the way a proper lady is meant to. A woman watches her p’s and cues“woman” through the delicate clearing of her bangs or the smoothing of her skirt,value “biologically determined,” “socially performed.”
In some corners, to ask “What are you looking at?” is another way of saying“What do you want?” Is another way of saying, “Keep that shit to yourself.”Is another way of saying, “I’m not available for the viewing.”
5.And a wake is another kind of viewing, a view of the surface of darknessoverfocused and announced, before underground.But laid out, he is still a young man. Laid out, he is always but a boy.
And you and M and the girl-come woman and I and they are blood-bound,are, of course, an iteration of we that wills out.“Endlessly endless” will…
Marcella Durand’s most recent books are Rays of the Shadow (Tent Editions, 2017) and Le Jardin de M. (The Garden of M. [éditions joca seria, 2016]), with French translations by Olivier Brossard. Other books include: a collaboration with Tina Darragh, Deep eco pré (Little Red Leaves, 2009); AREA (Belladonna, 2008); and Traffic & Weather (Futurepoem, 2008), written during a residency at the Lower Manhattan Cultural Council. She lives in New York, where she is working on a long piece for two voices titled Mirror Lines and completing her translation of Michèle Métail’s book-length poem Les horizons du sol (The Horizons of the Soil, 1999).
from Rays of the Shadow
There are two words: leaf and reflection. We could allparlay via these words and grow conversation.Lights find their end in waves as ocean flowers toland under rain. Amorphous water, when will youtake shape and line? Like life in a like square. Withinit is the already seen and said. Reflect sayswater and leaf says light. Ardent over the land.
Dia:ChelseaFALSEDD/MM/YYYYFREQ=WEEKLY;BYDAY=SA;UNTIL=20260801T235900;Tonya Foster and Marcella Durand
27/03/2018 18:3027/03/2018 00:00Europe/LondonSimon Starling on Tacita Dean on Merce CunninghamEvent DetailsTuesday, March 27, 2018, 6:30 pm
Dia:Chelsea535 West 22nd Street, 5th FloorNew York City Free for Dia members; $10 general admission; $6 admission for students and seniors Advance ticket purchases recommended. Tickets are also available for purchase at the door, subject to availability.
Simon Starling was born in Epsom, England, in 1967. He graduated from the Glasgow School of Art, and was professor of fine arts at the Städelschule in Frankfurt from 2003 to 2013. Starling won the Turner Prize in 2005 and was shortlisted for the Hugo Boss Prize in 2004. He represented Scotland at the Venice Biennale in 2003 and has had solo exhibitions at Casa Luis Barragán in Mexico City, Hiroshima City Museum of Contemporary Art, Massachusetts Museum of Contemporary Art in North Adams, Monash University Museum of Art in Melbourne, Musée d’art contemporain du Val-de-Marne in Vitry-sur-Seine, France, Museo Experimental El Eco in Mexico City, Museum of Contemporary Art in Chicago, Power Plant in Toronto, Staatsgalerie Stuttgart in Germany, Tate Britain in London, and Temporäre Kunsthalle Berlin. Starling lives in Copenhagen.
Dia:ChelseaFALSEDD/MM/YYYYFREQ=WEEKLY;BYDAY=SA;UNTIL=20260801T235900;Simon Starling on Tacita Dean on Merce Cunningham